Reception
"I know that Hollywood has made a number of changes to the story, but I am honored that Steven Spielberg, Leonardo DiCaprio and Tom Hanks participated in the making of the movie inspired by my life. It is important to understand that it is just a movie, not a biographical documentary."
—Frank Abagnale's reaction to the filmGame Show Network aired the 1977 episode of To Tell the Truth that featured Frank Abagnale. Segments were shown on December 29, 2002 and January 1, 2003 as promotion. The marketing department was careful to market the film as "inspired by a true story" in order to avoid controversy similar to that surrounding A Beautiful Mind (2001) and The Hurricane (1999), both of which deviated from history. The premiere took place at Westwood, Los Angeles, California on December 18, 2002.
Catch Me If You Can was released on December 25, 2002, earning slightly above $30 million in 3,225 theaters during its opening weekend. The film went on to gross $164.6 million in North America and $187.5 million in foreign countries, coming at a worldwide total of $352.1 million. The film was a financial success, recouping the $52 million budget six times over. Catch Me If You Can was the eleventh highest grossing film of 2002. Minority Report (also directed by Spielberg) was tenth highest. Based on 186 reviews collected by Rotten Tomatoes, 96% of reviews were positive. The film was more balanced with 40 critics in Rotten Tomatoes's "Top Critics" poll, receiving a 90% approval rating. By comparison Metacritic collected an average score of 76, based on 38 reviews.
Roger Ebert heavily praised DiCaprio's performance, and concluded "This is not a major Spielberg film, although it is an effortlessly watchable one". Mick LaSalle said it was "not Spielberg's best movie, but one of his smoothest and maybe his friendliest. The colorful cinematography, smart performances and brisk tempo suggest a filmmaker subordinating every other impulse to the task of manufacturing pleasure." Stephen Hunter believed DiCaprio shows "the range and ease and cleverness that Martin Scorsese so underutilized in Gangs of New York".
James Berardinelli observed, "Catch Me if You Can never takes itself or its subjects too seriously, and contains more genuinely funny material than about 90% of the so-called 'comedies' found in multiplexes these days". In addition Berardinelli praised John Williams' film score, which he felt was "more intimate and jazzy than his usual material, evoking (intentionally) Henry Mancini". Peter Travers was one of few who gave the film a negative review. Travers considered Catch Me if You Can to be "bogged down over 140 minutes. A film that took off like a hare on speed ends like a winded tortoise." He also disliked Hanks' performance.
At the 75th Academy Awards, Christopher Walken and John Williams were nominated for Best Supporting Actor and Original Music Score. Walken won the same category at the 56th British Academy Film Awards, while Williams, costume designer Mary Zophres and screenwriter Jeff Nathanson received nominations. DiCaprio was nominated the Golden Globe Award for Best Actor - Motion Picture Drama. Williams also earned a Grammy Award nomination. Elements of the film were later parodied in The Simpsons episode "Catch 'Em If You Can".
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Famous quotes containing the word reception:
“To the United States the Third World often takes the form of a black woman who has been made pregnant in a moment of passion and who shows up one day in the reception room on the forty-ninth floor threatening to make a scene. The lawyers pay the woman off; sometimes uniformed guards accompany her to the elevators.”
—Lewis H. Lapham (b. 1935)
“But in the reception of metaphysical formula, all depends, as regards their actual and ulterior result, on the pre-existent qualities of that soil of human nature into which they fall—the company they find already present there, on their admission into the house of thought.”
—Walter Pater (1839–1894)
“I gave a speech in Omaha. After the speech I went to a reception elsewhere in town. A sweet old lady came up to me, put her gloved hand in mine, and said, “I hear you spoke here tonight.” “Oh, it was nothing,” I replied modestly. “Yes,” the little old lady nodded, “that’s what I heard.””
—Gerald R. Ford (b. 1913)