Story
Created as a reboot of the Casshern franchise, Casshern Sins tells the story of a world where robots subjugated humanity after becoming self-aware. Their leader, Braiking Boss, ruled over the world with an iron fist. One day, a mysterious girl named Luna is summoned by the people, in order to bring the salvation of mankind. Fearing her as a potential threat, Braiking Boss sent three of his most powerful cyborg warriors to dispose of Luna: Casshern, Dio, and Leda. Casshern, the strongest warrior, manages to track down and kill Luna. However, this triggers a cataclysmic event which sets into motion the end of the world. Hundreds of years later, the world's atmosphere is filled with poison, and, due to the inability of most remaining humans to reproduce, as well as the constant threat posed by the robots, humanity is on the brink of extinction.
Robots fare little better, fearing death as much as humans do: the poisonous environment quickly causes their mechanical bodies to rust and corrode, forcing them to constantly replace their damaged parts, if spare parts in good condition can even be found. In this wretched time and place, Casshern, who had disappeared following the assassination of Luna, returns with no memory of who he is or what he had done. As he embarks on a journey to find out the truth about himself, will Casshern discover his true purpose and destiny?
Read more about this topic: Casshern Sins
Famous quotes containing the word story:
“The face of the water, in time, became a wonderful book—a book that was a dead language to the uneducated passenger, but which told its mind to me without reserve, delivering its most cherished secrets as clearly as if it uttered them with a voice. And it was not a book to be read once and thrown aside, for it had a new story to tell every day.”
—Mark Twain [Samuel Langhorne Clemens] (1835–1910)
“The child ... stands upon a place apart, a little spectator of the world, before whom men and women come and go, events fall out, years open their slow story and are noted or let go as his mood chances to serve them. The play touches him not. He but looks on, thinks his own thought, and turns away, not even expecting his cue to enter the plot and speak. He waits,—he knows not for what.”
—Woodrow Wilson (1856–1924)
“The liar at any rate recognizes that recreation, not instruction, is the aim of conversation, and is a far more civilised being than the blockhead who loudly expresses his disbelief in a story which is told simply for the amusement of the company.”
—Oscar Wilde (1854–1900)