United Kingdom
In the UK cassette culture was at its peak in what is known as the post-punk period, 1978-1984. UK cassette culture was championed by marginal musicians and performers such as Barry Lamb, Storm Bugs, the insane picnic, Instant Automatons, Stripey Zebras, What is Oil?, The APF Brigade, Blyth Power, The Peace & Freedom Band, Academy 23, Sean Terrington Wright, Frenzid Melon, Cleaners From Venus, Chumbawamba, 5ive Ximes 0f Dust and many of the purveyors of Industrial music, e.g. Throbbing Gristle, Cabaret Voltaire, and Clock DVA . Artists self-releasing would often copy their music in exchange for "a blank tape plus self-addressed envelope". But there also existed many small 'tape labels' such as Snatch Tapes, Falling A Records, Datenverarbeitung (in Germany), Deleted Records, Face Like a Smacked Arse, Cemental Health Records, Fuck Off Records, Music for midgets, Man's Hate (which distributed the International Sound Communication compilation series), New Crimes Tapes, Rasquap Products, Sterile Records and Third Mind Records that operated in opposition to the capitalistic aim of maximizing profit. There was great diversity amongst such labels, some were entirely 'bedroom based', utilising new home tape copying technologies (see below) whilst others were more organised, functioning in a similar way to more established record labels. Some also did vinyl releases, or later developed into vinyl labels. Many compilation albums were released, presenting samples of work from various artists. It was not uncommon for artists who had a vinyl contract to release on cassette compilations, or to continue to do cassette-only album releases (of live recordings, work-in-progress material, etc.) after they had started releasing records.
Cassette culture received something of a mainstream boost when acknowledged by the major music press. Both the New Musical Express (NME) and Sounds, the main weekly music papers of the time in the UK, launched their own 'cassette culture' features, in which new releases would be briefly reviewed and ordering information given. In the U.S. magazines such as Op Magazine, Factsheet Five and Unsound rose to fill the void.
The October 2011 edition of Record Collector magazine published an article about the significance of cassette culture in the UK and listing 21 rare but sought after cassette releases.
Read more about this topic: Cassette Culture
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