Production
A support van tails the Cash Cab, containing producers and a camera crew for the various street shots. The staff provide logistical information and questions by way of a walkie-talkie and earpiece worn by the host. The Cash Cab is equipped with ten cameras: one on the host, three on the passengers, one pointing forward from the back window of the cab, and three (front, left and right) in the advertising shell on the roof of the cab showing the passing streetscape. The rear of the cab behind the seats contains ten recording decks and other production equipment.
The lighting and the music that go off when contestants enter the cab consist of a switchboard that is connected to an iPod and the car stereo. The Video Bonus monitor is a DVD player that is embedded to the back of the front passenger seat.
Some contestants are randomly picked as they walk along the sidewalk, while others are selected in advance. Even so, those picked in advance are never actually told that the cab that is supposed to take them to the show turns out to be the show itself.
Near the end of the game at the player's destination Ben Bailey or Beth Melewski appears to present the cash won. In reality, this cash is a prop and used for on-air purposes only. The winnings, which must be taxed, are sent via check.
The Cash Cab in New York is a Toyota Sienna minivan with the New York City Taxi and Limousine Commission call sign "1G12" in the first two seasons and during the After Dark shows. A new cab with the call sign of "7N78" has been used since, which also features new headliner lighting.
Melewski's Cash Cab is also a Toyota Sienna minivan with the Yellow Taxi call sign "4472".
Read more about this topic: Cash Cab (U.S. Game Show)
Famous quotes containing the word production:
“The production of obscurity in Paris compares to the production of motor cars in Detroit in the great period of American industry.”
—Ernest Gellner (b. 1925)
“The growing of food and the growing of children are both vital to the family’s survival.... Who would dare make the judgment that holding your youngest baby on your lap is less important than weeding a few more yards in the maize field? Yet this is the judgment our society makes constantly. Production of autos, canned soup, advertising copy is important. Housework—cleaning, feeding, and caring—is unimportant.”
—Debbie Taylor (20th century)
“The myth of unlimited production brings war in its train as inevitably as clouds announce a storm.”
—Albert Camus (1913–1960)