Plot
Heiji Hattori searches for a girl he fell in love with after he saw her playing outside a temple when he was little. Meanwhile, Kogoro, Ran, Conan, and Sonoko go to Kyoto and meet up with Heiji and Kazuha to investigate a robbery and several murders. The killer tries to kill Heiji several times and severely injures Heiji. The killer kidnaps Kazuha, but Heiji collapses before he can reach her. Conan swallows a pill Haibara gave him and a bottle of wine, temporarily turning him back into Shinichi. He disguises himself as Heiji and attempts to arrest the killer and save Kazuha and manages to stall the murderer until Heiji arrives. Using kendo, Heiji fights the culprit while Shinichi runs into the woods to hide while his transformation into Conan occurs. In the woods, Shinichi bumps into Ran and stuns Ran with his tranquilizer watch to prevent her from seeing his transformation into Conan. Conan then reaches Heiji and Kazuha in time to save them by kicking sticks of fire at the culprit. The culprit continues to fight Heiji and manages to push the Osaka detective to the edge of the roof. Conan kicks a soccer ball at the enemy, giving Heiji time to regain his footing. In the end, Heiji finds out that the girl from his childhood was Kazuha and does not tell Kazuha that she is the girl he was looking for.
Read more about this topic: Case Closed: Crossroad In The Ancient Capital
Famous quotes containing the word plot:
“Persons attempting to find a motive in this narrative will be prosecuted; persons attempting to find a moral in it will be banished; persons attempting to find a plot in it will be shot.”
—Mark Twain [Samuel Langhorne Clemens] (1835–1910)
“The plot was most interesting. It belonged to no particular age, people, or country, and was perhaps the more delightful on that account, as nobody’s previous information could afford the remotest glimmering of what would ever come of it.”
—Charles Dickens (1812–1870)
“If you need a certain vitality you can only supply it yourself, or there comes a point, anyway, when no one’s actions but your own seem dramatically convincing and justifiable in the plot that the number of your days concocts.”
—John Ashbery (b. 1927)