Plot
Newly-married Mary Sage (Shirley Eaton) is distraught when her husband Charlie (Bob Monkhouse) receives his call-up papers during their wedding breakfast. He travels to Heathercrest National Service Depot, meeting fellow recruit Horace Strong (Kenneth Connor), a terminal hypochondriac who is devastated at having been passed as fit.
The new recruits are assigned to Sergeant Grimshawe (William Hartnell). Grimshawe is retiring from the army and takes on a £50 bet with Sergeant O'Brien (Terry Scott) that his last bunch of squaddies will be his first champion platoon. (Terry Scott was paid £50 for his part in the fim)
With beady-eyed inspection from Captain Potts (Eric Barker) and disgruntled support from Corporal Copping (Bill Owen), Grimshawe decides to use some psychology and treat his charges kindly rather than simply shouting at them. But basic training doesn't start well and he struggles to take his squad through it. They include failure Herbert Brown (Norman Rossington), upper-class cad Miles Heywood (Terence Longdon), rock 'n' roller Andy Galloway (Gerald Campion), delicate flower Peter Golightly (Charles Hawtrey) and supercilious university graduate James Bailey (Kenneth Williams). His attempts seem doomed.
Mary is determined to spend her wedding night with her husband and smuggles herself into the depot to get a job in the NAAFI, a situation Charlie is eventually able to legitimise. Strong spends most of his time complaining to the Medical Officer, Captain Clark (Hattie Jacques). It is only the adoration of doe-eyed NAAFI girl Norah (Dora Bryan), which he initially rejects, that makes him realise his potential and inspires to become a real soldier.
On the eve of the final tests, Grimshaw is in despair, but he is overheard bemoaning his lot to Copping. The squad decide to win the best platoon prize at all costs. On the day, they indeed beat the other platoons at all tasks and Grimshaw is awarded the cup for best platoon.
Read more about this topic: Carry On Sergeant
Famous quotes containing the word plot:
“Those blessed structures, plot and rhyme—
why are they no help to me now
I want to make
something imagined, not recalled?”
—Robert Lowell (1917–1977)
“But, when to Sin our byast Nature leans,
The careful Devil is still at hand with means;
And providently Pimps for ill desires:
The Good Old Cause, reviv’d, a Plot requires,
Plots, true or false, are necessary things,
To raise up Common-wealths and ruine Kings.”
—John Dryden (1631–1700)
“If you need a certain vitality you can only supply it yourself, or there comes a point, anyway, when no one’s actions but your own seem dramatically convincing and justifiable in the plot that the number of your days concocts.”
—John Ashbery (b. 1927)