Carlos Ginzburg - Exhibition

Exhibition

Personal exhibition

  • 2004 Susan Conde Gallery, New York
  • 2002 Galerie Lina Davidov, Paris, France
  • 1999 Galerie Lina Davidov, Paris, France
  • 1997 Galerie Mabel Semmler, Paris, France
  • 1980 I.C.C, Antwerpen, Belgium
  • 1978 Galerie Studio 16, Turin, Italy
  • 1977 Ecole sociologique interrogative, Paris, France

Collectival exhibition

  • September 2010 Henrique Faria Fine Art, New York
  • October 2009 Museo Nacional Reina Sofia, Madrid, Spain
  • May–August 2009 Württembergischer Kunstvereim, Stuttgart, Germany
  • 2005 Slought Fondation, Philadelphie, USA
  • 2002 J. Wayne Stark Galleries, University Center Galleries, Texas A&M University
  • 2001 White Box Gallery, New York
  • 1999 Espace Electra, Paris, France
  • 1999 Abbeye de Roncereis, Angers, France
  • 1997 Espace Paul Ricard, Paris, France
  • 1996 Gallery of Art, University of Georgia, Athens, Georgia
  • 1995 Galerie Arx, Turin, Italy
  • 1994 Foundation, T.Z. Art & Co Gallery, Mai, New York
  • 1993 Institut National des Sciences Appliquées de Lyon
  • 1991 Foundation Battistoni, Paris, France
  • 1990 Ezra and Cecile Zilka Gallery, Middletown
  • 1989 Kaos Foundation, Chicago, Illinois
  • 1987 Ocre d'art, Châteauroux, France
  • 1983 Centre Georges Pompidou, Petit Forum, Paris, France
  • 1980 Fashion Moda, New York
  • 1975 Moderna Musee, Stockholm
  • 1973 I.., Antwerpen, Belgium
  • 1972 International Meeting of Arts, Pamplona, Spain
  • 1971 Musée d'art moderne, Buenos Aires
  • 1971 Camden Art Center, Londres
  • ...

Read more about this topic:  Carlos Ginzburg

Famous quotes containing the word exhibition:

    The hardiest skeptic who has seen a horse broken, a pointer trained, or has visited a menagerie or the exhibition of the Industrious Fleas, will not deny the validity of education. “A boy,” says Plato, “is the most vicious of all beasts;” and in the same spirit the old English poet Gascoigne says, “A boy is better unborn than untaught.”
    Ralph Waldo Emerson (1803–1882)

    Work, as we usually think of it, is energy expended for a further end in view; play is energy expended for its own sake, as with children’s play, or as manifestation of the end or goal of work, as in “playing” chess or the piano. Play in this sense, then, is the fulfillment of work, the exhibition of what the work has been done for.
    Northrop Frye (1912–1991)

    A man’s thinking goes on within his consciousness in a seclusion in comparison with which any physical seclusion is an exhibition to public view.
    Ludwig Wittgenstein (1889–1951)