Carl Rosa Opera Company - End of The Old Company and Birth of The New

End of The Old Company and Birth of The New

Phillips died in 1950. In 1953 the Carl Rosa Trust was formed in association with the Arts Council, who agreed to subsidise the company, now directed by Phillips's widow, Annette. The company gave seasons at Sadler's Wells in 1955 and 1956. In the 1950s, the musical director was Arthur Hammond. Singers during this period included the dramatic soprano Ruth Packer and tenor Charles Craig. The productions were traditional, but the repertory included some operatic rarities such as Puccini's Manon Lescaut and Berlioz's Benvenuto Cellini.

Annette Phillips retired as director of the company in 1957 and was replaced by Professor Humphrey Procter-Gregg. At the same time, the board of Sadler's Wells Opera made an approach to merge the two opera companies. This approach caused outrage in some operatic quarters, and Sadler's Wells's musical director (Alexander Gibson) and administrative heads (Norman Tucker and Stephen Arlen) resigned in protest. In response to the outcry, the board of the Welsh National Opera also made an attempt to merge with Carl Rosa Opera. In the ensuing furore, Procter-Gregg resigned, as did the chairman of the Carl Rosa Trust, Sir Donald Wolfit, and trustees Astra Desmond and Norman Allin. The Arts Council, which was accused in the House of Lords of "doing their level best to kill off altogether", withdrew its grant. The Carl Rosa Trust raised money privately, and promoted a month's season at the Prince's Theatre in 1960, but the company's final curtain descended after Don Giovanni on 17 September 1960. Sadler's Wells took over some of the company's members and many of its touring dates.

The new Carl Rosa Opera Limited was revived in 1997 under the artistic direction of Peter Mulloy. Since then, it has performed West End seasons and toured in the UK and internationally, offering a new repertoire of Gilbert and Sullivan, continental operettas and a few serious operas such as La bohème, often performed in the original languages. Recent conductors have included David Russell Hulme and Martin Handley. Directors include Timothy West.

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