Carillon (Elgar) - History

History

History records the reasons why Germany invaded and occupied "neutral" Belgium in August 1914, and the horrific events which followed when Belgium showed armed resistance: cities and people were destroyed, and the country put to almost complete ruin. King Albert and his army resisted but were quickly forced back to West Flanders on the French side of the country. There was much national sympathy: in London, at Christmas, a patriotic anthology called King Albert's Book ("A tribute to the Belgian King and people from representative men and women throughout the world") was organised by Hall Caine with contributions from leading artists, writers and musicians. Elgar was asked to contribute, and he remembered reading in The Observer a poem by Émile Cammaerts. Cammaerts was married to Tita Brand, the daughter of the singer Marie Brema who had sung in the first performance of Elgar's Dream of Gerontius, and Elgar had her immediate approval for the use of the poem.

Elgar's friend and candid biographer, Rosa Burley, recalled:

I ventured to suggest that he should not tie himself to the metre of the words, as he would have to do if the piece were treated as a song or choral item, but that he should provide an illustrative prelude and entr'actes as background music for a recitation of the poem.

Elgar took Miss Burley's advice, and set the poem as narratives and recitatives interspersed with orchestral interludes.

Miss Burley was present at the premiere by Tita Brand at Queen's Hall, and related how it had to be arranged for her state to be hidden from the audience:

...unfortunately Mme Brand-Cammaerts was enceinte and in order to conceal this fact an enormous bank of roses was built on the platform over which her head and shoulders appeared rather in the manner of a Punch and Judy show. Mme Brand put such energy into the performance that both Edward, who was conducting the orchestra, and I, who was sitting in the audience, trembled for the effect on her, but patriotic fervour won the day, and Carillon was performed without mishap.

The version for voice with piano accompaniment was published, with the French words only, in King Albert's Book.

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