Political and Artistic Activity
Although her husband Bert was often drunk and infrequently home, Caresse did not lack for company. Caresse extended an invitation to Salvador Dalí and his wife, who were long-term guests, during which he wrote much of his autobiography. In 1934, Dalí and his wife Gala attended a masquerade party in New York, hosted for them by Crosby. Other visitors included Buckminster Fuller, Anaïs Nin, Ezra Pound, Henry Miller, Max Ernst, Stuart Kaiser and other friends from her time in Paris. She had a brief affair with Fuller during this time. By 1941, having divorced Bert, Caresse moved to live in Washington D.C. full-time where she owned a home at 2008 Q Street NW from 1937 to 1950, and she opened the Caresse Crosby Modern Art Gallery, what was then the city's only modern art gallery, at 1606 Twentieth Street, near Dupont Circle.
In December, 1943, she wrote Henry Miller to ask if he had heard about her gallery and asked if he would be interested in exhibiting some of his paintings there. In 1944, she spent some time with at his home in Big Sur, and later opened his first one-man art show at her gallery.
Read more about this topic: Caresse Crosby
Famous quotes containing the words political, artistic and/or activity:
“Both the Moral Majority, who are recycling medieval language to explain AIDS, and those ultra-leftists who attribute AIDS to some sort of conspiracy, have a clearly political analysis of the epidemic. But even if one attributes its cause to a microorganism rather than the wrath of God, or the workings of the CIA, it is clear that the way in which AIDS has been perceived, conceptualized, imagined, researched and financed makes this the most political of diseases.”
—Dennis Altman (b. 1943)
“Well then! Wagner was a revolutionary—he fled the Germans.... As an artist one has no home in Europe outside Paris: the délicatesse in all five artistic senses that is presupposed by Wagner’s art, the fingers for nuances, the psychological morbidity are found only in Paris. Nowhere else is this passion in questions of form to be found, this seriousness in mise en scène—which is Parisian seriousness par excellence.”
—Friedrich Nietzsche (1844–1900)
“The Good of man is the active exercise of his soul’s faculties in conformity with excellence or virtue.... Moreover this activity must occupy a complete lifetime; for one swallow does not make spring, nor does one fine day; and similarly one day or a brief period of happiness does not make a man supremely blessed and happy.”
—Aristotle (384–322 B.C.)