Careless Talk Costs Lives (magazine) - The Magazine

The Magazine

Disgusted by the state of mainstream music coverage, True and Gullick conceived a magazine to “bring down the UK music press” with particular venom reserved for the once iconoclastic, now insipid and marketing-driven NME.

The first issue was published in January 2002, with the Scottish band Mogwai on the front cover. It was fortunate that this coincided with a popular resurgence of guitar-based music, in the wake of the success of US bands such as The White Stripes and The Strokes. The focus was solidly on indie/alternative music, although there was an ongoing debate about the need for such classification. True tended to describe the content as reflecting “the music that we like”. Relatively new acts such as Bright Eyes, Electrelane, Oneida, Scout Niblett, The Gossip and Yeah Yeah Yeahs were featured heavily, although there was also coverage of more established artists such as Nick Cave and Marc Almond. The magazine also gave exposure to Detroit acts that had risen in the slipstream of The White Stripes, such as The Von Bondies and The Dirtbombs. True's penchant for female-fronted bands also showed.

Some established writers from the British music press, such as Stevie Chick and Neil Kulkarni, contributed to CTCL, but the bulk of writers were from the fanzine and webzine scenes in the UK, North America, Australia and beyond. At Gullick’s insistence, the magazine used no photographs issued by PR people or record companies, ensuring that CTCL would stand out from any other publication on the shelf. As well as striking photographs by Gullick and others, the magazine made heavy use of illustrators. Despite limited budgets (CTCL was effectively run out of True's house in Brighton), the magazine was printed on heavy matt paper, and production quality was a priority.

Careless Talk Costs Lives also spawned an internet radio show and a number of live music events.