In Fiction
- A fictionalized Mazarin is a major character in Alexandre Dumas' novels Twenty Years After and Le Vicomte de Bragelonne. In them, Mazarin is portrayed as power-hungry, suspicious, and greedy.
- Mazarin is a character of some importance in 1634: The Galileo Affair by Eric Flint and Andrew Dennis.
- The "Mazarin diamond" is searched for in a November, 1899, Sherlock Holmes mystery by Arthur Conan Doyle, The Mazarin Stone.
- Mazarin is a major character in the 2005 series Young Blades, portrayed by Michael Ironside.
- Mazarin serves as the mastermind antagonist in the Hallmark movie La Femme Musketeer. Personality- and ambition-wise, he is nearly identical to Cardinal Richelieu.
- Mazarin appeared in the series Le Chevalier TempĂȘte ("The Flashing Blade").
- Umberto Eco's novel The Island of the Day Before takes place just after the transition from Richelieu's rule to Mazarin's. Its protagonist witnesses the death watch for Richelieu and is subsequently forced by Mazarin to undertake a bizarre mission to the other side of the world.
- Mazarin plays a central role in the play Vincent In Heaven, which tells the story of St. Vincent DePaul.
Read more about this topic: Cardinal Mazarin
Famous quotes containing the word fiction:
“The purpose of a work of fiction is to appeal to the lingering after-effects in the readers mind as differing from, say, the purpose of oratory or philosophy which respectively leave people in a fighting or thoughtful mood.”
—F. Scott Fitzgerald (18961940)
“The obvious parallels between Star Wars and The Wizard of Oz have frequently been noted: in both there is the orphan hero who is raised on a farm by an aunt and uncle and yearns to escape to adventure. Obi-wan Kenobi resembles the Wizard; the loyal, plucky little robot R2D2 is Toto; C3PO is the Tin Man; and Chewbacca is the Cowardly Lion. Darth Vader replaces the Wicked Witch: this is a patriarchy rather than a matriarchy.”
—Andrew Gordon, U.S. educator, critic. The Inescapable Family in American Science Fiction and Fantasy Films, Journal of Popular Film and Television (Summer 1992)