Reception
The Rift plot device has attracted some critical commentary. In Under Torch Wood, a one-off Torchwood parody for The Register (a dialogue in the style of Welsh poet Dylan Thomas' radio play Under Milk Wood), columnist Verity Stob derides the device as lazy writing on the part of Davies and his writing team, and comments on its large indebtedness to the Hellmouth from Buffy the Vampire Slayer. Gwen asks "What is the Rift?"; the narrative voice describes it as "a kind of hellmouth that is sucking on a transcendental, transdimensional gobstopper. It is a double-egg MacGuffin served with large flies. It is . . ." an easy way for lazy writers to generate indulgence-straining plots, without ever troubling to think up anything new, or plausible, or to know or look up any science."
Read more about this topic: Cardiff Rift
Famous quotes containing the word reception:
“To the United States the Third World often takes the form of a black woman who has been made pregnant in a moment of passion and who shows up one day in the reception room on the forty-ninth floor threatening to make a scene. The lawyers pay the woman off; sometimes uniformed guards accompany her to the elevators.”
—Lewis H. Lapham (b. 1935)
“Aesthetic emotion puts man in a state favorable to the reception of erotic emotion.... Art is the accomplice of love. Take love away and there is no longer art.”
—Rémy De Gourmont (1858–1915)
“But in the reception of metaphysical formula, all depends, as regards their actual and ulterior result, on the pre-existent qualities of that soil of human nature into which they fall—the company they find already present there, on their admission into the house of thought.”
—Walter Pater (1839–1894)