Analysis
While Blood is a fictional character, much of the historical background of the novel is based on fact. The Monmouth rebels were sold into slavery as described in the book; and the shifting political alliances of the Glorious Revolution of 1688 are used in the novel as a plot device to allow Blood's return to respectability.
Captain Blood was an enormously popular work, and Sabatini wrote two additional novels featuring Peter Blood: Captain Blood Returns (1930) (retitled The Chronicles of Captain Blood in the British publication) and The Fortunes of Captain Blood (1936). Both of these books are episodic tales of Blood's pirate career rather than true sequels. All the episodes are contained within the timeframe of the original novel, although Sabatini mistakenly dated one story "1690" despite the fact that Blood's piratical career had been established as ending in 1689, and two stories in Captain Blood Returns: "The War Indemnity" and "Blood Money" may be viewed as continuations of events that took place in the original novel.
Peter Blood and his exploits are based on several individuals, Henry Morgan and Thomas Blood in particular, and Henry Pitman, a physician who was actually swept up in the Monmouth Rebellion, sold into slavery in Barbados, escaped and was captured by pirates. However, unlike the fictional Blood, Pitman didn't join them, and eventually made his way back to England where he wrote a popular account of his adventures.
The bitter aftermath of the Monmouth Rebellion also features prominently in Arthur Conan Doyle's "Micah Clarke".
In the opening chapter of Arturo Pérez-Reverte's The Club Dumas, two characters discuss their favorite novel by Sabatini, with book dealer Lucas Corso preferring Captain Blood.
Read more about this topic: Captain Blood (novel)
Famous quotes containing the word analysis:
“Ask anyone committed to Marxist analysis how many angels on the head of a pin, and you will be asked in return to never mind the angels, tell me who controls the production of pins.”
—Joan Didion (b. 1934)
“The spider-mind acquires a faculty of memory, and, with it, a singular skill of analysis and synthesis, taking apart and putting together in different relations the meshes of its trap. Man had in the beginning no power of analysis or synthesis approaching that of the spider, or even of the honey-bee; but he had acute sensibility to the higher forces.”
—Henry Brooks Adams (1838–1918)
“Cubism had been an analysis of the object and an attempt to put it before us in its totality; both as analysis and as synthesis, it was a criticism of appearance. Surrealism transmuted the object, and suddenly a canvas became an apparition: a new figuration, a real transfiguration.”
—Octavio Paz (b. 1914)