Cantonal Flags and Coats of Arms (Switzerland) - List

The flag of Zürich is derived from a blue-and-white design attested since the 1220s, the diagnoal division of the flag is first attested 1389.

The flag of Zürich was adorned by a red Schwenkel since 1273. This was regarded as a mark of sovereignty and honour by the people of Zürich, but the Schwenkel was otherwise used as a mark of "shame", identifying replacement flags used after a real flag was captured by an enemy This led to a misunderstanding after the Battle of Nancy, when the Duke of Lorraine removed the Schwenkel from the Zürich flag, stating that with the present victory, Zürich had "erased its shame". The perplexed Zürich troops later quietly re-attached the Schwenkel.

Zürich attached the Swiss cross in the red Schwenkel rather than in the main flag, and this may have contributed to the development of the flag of Switzerland (placing the white cross in a red field by default).

• Depiction of the flag with Schwenkel (Humbert Mareschet, 1585)

• Heraldic depiction of Zürich as an imperial city (Murerplan, 1576)

The city of Bern is a Zähringer foundation of 1160. In the 13th century, its flag showed a black bear in a white field, changed to the current red-and-yellow diagonal arrangement in 1289. Berne also had a war flag with a simple red-and-black horizontal division. The cantonal colours remain red and black.

The blue-and-white flag is attested from 1386. The vertical division of the coat or arms has been explained as due to a gonfalon type of banner used by Lucerne, hung from a horizontal crossbar, which was also used as a flagstaff, so that the flag was turned by 90 degrees when carried in battle.

Coat of arms: Gules, a cross argent in canton sinister.

Schwyz used a solid red war flag (Blutbanner) from 1240.

From the 14th century, a depiction of the crucifixion was sometimes shown on the flag.

Pope Sixtus IV confirmed this addition in 1480, stating explicitly that the crown of thorns and the nails (Arma Christi) should be shown. The coat of arms remained solid red throughout the 16th to 18th centuries, but from the 17th century in depictions in print (in black and white), the cross was sometimes shown.

The modern design of flag and coat of arms with the cross in one corner dates to 1815. The precise definition of the proportions of the cross dates to 1963.

• The Blutbanner

• Standesscheibe of Schwyz (1586), showing the solid red coat of arms

The flag Unterwalden, as the canton itself, has a complicated history, on one hand due to the rivalry of the constituent half-cantons Obwalden and Nidwalden, and on the other because its historical flag was identical to that of Solothurn.

The war flag of Obwalden was plain red and white, first recorded in 1309. Nidwalden tended to be dominated by Obwalden and usually fought under the same banner.

A single key was used in the seal of Nidwalden from the mid 13th century. This seal was used for both Obwalden and Nidwalden (i.e. the united canton of Unterwalden) during the early 14th century. The addition et vallis superioris "and the upper valley" was scratched into the seal to reflect this. At this point, there was a seal (with the key) and a war flag (red-and-white), but no coat of arms. From ca. 1360, Obwalden and Nidwalden were separated into two independent territories, while keeping a single vote in the confederate diet. Because of the "and the upper valley" addition scratched into the seal, Nidwalden began using a new seal of its own, and the seal of Unterwalden, formerly the seal of Nidwalden, now was used by Obwalden. The seal of Nidwalden now showed St. Peter with his keys.

Nidwalden began using the double-key as a design on its war flag from the early 15th century. The red-and-white flag of Unterwalden was now also the flag of Obwalden if both half-cantons were to be represented separately. This was the situation as the fashion of coats of arms was introduced in the late 15th century. The early Standesscheiben of the first decade of the 16th century show the double-key as the coat of arms and flag of Nidwalden, while Obwalden has the red-and-white design in both its flag and its coat of arms.

During the 17th and 18th centuries, the coat of arms of the combined canton of Unterwalden came to be depicted as a superposition of the red-and-white flag of Obwalden and the double-key of Nidwalden.

Only in the mid 18th century does the single-key symbol (taken from the 13th-century seal) appear occasionally in coats of arms of Obwalden. This design was introduced as the official coats of arms of Obwalden in 1816, and the same design came gradually into use also for the flag of Obwalden, which also resolved the problem of the Obwalden flag being identical to that of Solothurn.

The flag of Glarus ultimately goes back to a banner of Saint Fridolin used in the Battle of Näfels in 1388, because the former banner of Glarus had been captured by the people of Rapperswil in a previous raid.

After this, Glarus used the image of the saint in its banners. During the 15th and 16th century, these images varied considerably. Only by the beginning 17th century a standard design was established, showing the Saint as a pilgrim in silver on a red field. The modern design shows the pilgrim in black, inspired by a banner shown in Glarus claimed as the original banner of 1388. The current official design dates to 1959.

• Flag of St. Fridolin, on exhibit in the Glarus cantonal museum, Näfels.

• Coat of arms of Glarus in 1605

The peculiar heraldic shape of the crozier (the Baslerstab or "Basel staff") dates to the 13th century, used by the Prince-Bishopric of Basel. The flag of the city of Basel was introduced in the early 15th century, as the city gained greater independence from the ruling bishops of Basel The flag and coat of arms of Basel-Landschaft was introduced in 1834, from the coat of arms of Liestal.

The flag is documented from 1218. The crown was added to the ram in 1512. The ram was originally rampant with only the rear left hoof on the ground, but in the 1940s this was changed to the sautant position with both rear hooves on the ground.

The flag and coat of arms of Innerrhoden also serves as the design used when representing the combined half-cantons.

The flag is based on that of the Abbot of St. Gallen, who was the feudal lord of Appenzell until 1403. The flag of the abbey showed a bear on a yellow field, and the independent territory Appenzell changed the field to white for its own flag. Before its independence, Appenzell had a flag of a bear marchant (on all fours) on a honeycombed field, attested from 1377.

Appenzell split into its two half-cantons as a result of the Swiss Reformation, in 1597. The "VR" in the Ausserrhoden flag stands for Vssere Rhoden.

On a green field, a white upright fasces with the axe blade facing the hoist

The cantonal arms and flag are an original design by David von Gonzenbach, created in 1803. In the original design, the weapon contained in the fasces was a halberd, but this was changed to the axe in 1843. There were a number of other design changes during the 20th century; from the 1930s until 1951, a black Swiss cross was placed on the axe blade to avoid association with the fasces as used as a symbol of Italian fascism.

From 1815 to 1933, the canton had used various combinations of the three coats of arms of the historical Three Leagues. The modern design combines simplified versions of the historical coats of arms.

• Coat of arms of the League of God's House

• Coat of arms of the Grey League

• Coat of arms of the League of the Ten Jurisdictions

The current official design, specifying the stars as five-pointed, dates to 1930.

Like Aargau, Thurgau was historically a subject territory of the confederacy, and was created as a canton of the Helvetic Republic. The flag design is an ad-hoc creation of 1803, based on the two lions in the coat of arms of the House of Kyburg which ruled Thurgau in the 13th century. The green-and-white were regarded as "revolutionary" colours in 1803, also introduced in the coats of arms of St. Gallen and Vaud, but the placement of a yellow lion on white is a violation of heraldic principles, and also creates a visibility problem. There have been suggestions to correct this, including a 1938 suggestion to use a solid green field divided by a diagonal white line, but they were not successful.

The lettering in the Vaudois flag was in black or in green during 1803–1819, the gold was introduced with the military flag as Vaud organised its army in 1819.

The Bishop of Sion used a vertically divided red-and-white war flag from ca. 1220. The coat of arms of Valais originates in 1613, as the subject territories of the bishop were united into a republic, the stars representing the individual Dixains. There were six stars in 1613, augmented to seven in 1628. In the 1803 Act of Mediation, Napoleon separated the Valais from the restored Swiss Confederacy, and in 1810 he annexed it into the Department of Simplon. At this point the number of Dixains and the number of stars in the flag was increased to twelve. The thirteenth star was added as the Valais joined the restored Swiss Confederacy in 1815, with the creation of Conthey as the thirteenth Dixain.

The flag is unrelated to the historical flag of the town of Neuchâtel, which had been in use from 1350, and as cantonal flag from 1815 until 1848, and which remains part of the town's coat of arms. The canton of Neuchâtel was admitted to the restored Swiss Confederacy in 1815, but with the peculiar reservation that it owed nominal fealty to the king of Prussia. This lingering monarchism led to a republican coup in 1848, under the flag that would later become the cantonal flag. The conflict between monarchists by 1856 threatened to devolve into full civil war, but in 1857, Frederick William IV of Prussia renounced all claims to Neuchâtel, and the 1848 revolutionary banner was made the official cantonal flag. Use of the flag remained disputed, and during the 20th century there were three unsuccessful attempts to reintroduce the historical flag of 1350 by popular vote.

The flag of the medieval bishopric of Geneva showed two golden Keys of Peter in the red field of the imperial Blutbanner since 1293.

The full coat of arms of Geneva includes a crest in the form of half a sun inscribed with JHS (for Jesus Hominum Salvator), and a scroll below the shield with the motto Post Tenebras Lux.

The coat of arms of the city of Geneva was adopted as the cantonal coat of arms the accession of Geneva as a city-canton to the restored Swiss Confederacy in 1815.

The separatist movement which eventually led to the canton's creation emerged in the 1940s, and the flag is a design by Paul Boesch, dated to 1943. The crozier symbolizes the former Prince-Bishopric of Basel, the seven stripes represent the seven districts of the Bernese Jura. The was officially recognized as a regional flag by Berne from 1951. The canton of Jura was created in 1979 after a referendum, but only three of the seven districts opted to join. The seven stripes were retained in the cantonal flag regardless, and there remains some irredentism calling for a restored unity of all seven districts.