Characters
- Canon Himuro (氷室 かのん, Himuro Kanon?)
- A girl who had an incurable disease that disappeared when she became a vampire. After learning that Rod is not the one who killed her friends, her next intention is to kill Sakaki. She falls in love with Sakaki.
- Sakaki (榊?)
- A boy who is a Japanese half vampire. He has a grudge against Rod because Rod killed his family. He wanted to use Canon as his servant, but he can't and in the end, he fell in love with her.
- Fui (風威, Fūi?)
- A bird vampire who was left by its master and met Canon. Canon loves him so much and that Canon's grudge against Sakaki was mostly because Fui was nearly killed by him.
- Rod (ロッド, Roddo?)
- A vampire who is a candidate to be the leader of the vampire tribe. He was actually protecting Canon instead of hurting her. He met Canon when he was killing Sakaki's family and Canon was still a little girl and still sick.
- Machua
- A girl vampire who failed to kill Sakaki. Canon helped her and then they became friends.
- Glenn
- A male vampire who is a friend of Rod. He came to kill Sakaki and became the biggest enemy of all.
Read more about this topic: Canon (manga)
Famous quotes containing the word characters:
“The Nature of Familiar Letters, written, as it were, to the Moment, while the Heart is agitated by Hopes and Fears, on Events undecided, must plead an Excuse for the Bulk of a Collection of this Kind. Mere Facts and Characters might be comprised in a much smaller Compass: But, would they be equally interesting?”
—Samuel Richardson (1689–1761)
“Philosophy is written in this grand book—I mean the universe—
which stands continually open to our gaze, but it cannot be understood unless one first learns to comprehend the language and interpret the characters in which it is written. It is written in the language of mathematics, and its characters are triangles, circles, and other geometrical figures, without which it is humanly impossible to understand a single word of it.”
—Galileo Galilei (1564–1642)
“Animals are stylized characters in a kind of old saga—stylized because even the most acute of them have little leeway as they play out their parts.”
—Edward Hoagland (b. 1932)