Cannibal Film
Cannibal films are a sub genre of exploitation film made mostly by Italian filmmakers through the 1970s and 1980s. This sub genre is a collection of graphically gory movies that usually depict cannibalism by primitive, Stone-age natives deep inside the Asian or South American rain forests. Even though not all cannibal films show cannibalism on screen, all the movies are connected with the genre by stating that the tribe is cannibalistic. While cannibalism is the uniting feature of these films, the general emphasis focuses on various forms of shocking, realistic, and graphic violence, typically including torture, rape, castration and/or animal cruelty. Similarly to Mondo films, the main advertising draw of cannibal films was the promise of gore, exotic locales, and cruel behavior, and eventually became a popular aspect of Grindhouse culture. The peak of the genre's popularity was from 1977 to 1981, a period that has come to be known as the cannibal boom.
Due to their graphic content, the films of this subgenre are often the center of controversy. Many of the films include genuine slayings of animals, making them a common target of censors around the world. The inclusion of graphic gore and sexual violence has also resulted in censorship.
Read more about Cannibal Film: History, Directors, Actors, Films By Year, Censorship, Cannibal Holocaust, Video Nasty
Famous quotes containing the words cannibal and/or film:
“Everything depends on the value we give to things. We are the ones who make morality and virtue. The cannibal who eats his neighbor is as innocent as the child who sucks his barley-sugar.”
—Gustave Flaubert (18211880)
“The obvious parallels between Star Wars and The Wizard of Oz have frequently been noted: in both there is the orphan hero who is raised on a farm by an aunt and uncle and yearns to escape to adventure. Obi-wan Kenobi resembles the Wizard; the loyal, plucky little robot R2D2 is Toto; C3PO is the Tin Man; and Chewbacca is the Cowardly Lion. Darth Vader replaces the Wicked Witch: this is a patriarchy rather than a matriarchy.”
—Andrew Gordon, U.S. educator, critic. The Inescapable Family in American Science Fiction and Fantasy Films, Journal of Popular Film and Television (Summer 1992)