Criticism
A number of groups object to the practice of canned hunting for reasons such as cruelty to animals or that it takes away what is known as "fair chase."
The Humane Society of the United States is an outspoken critic of canned hunting. In a statement, the HSUS called canned hunts "cruel and brutal activities," in which the hunted animal has "absolutely no chance of escape." It went on to say that animals have been "psychologically conditioned to behave as a target by life in captivity," among other objections.
Some hunting groups, especially those who focus on hunters' ethics, also object to canned hunting. These objections are on the grounds of "fair chase," the idea that an animal has a fair chance of escaping the hunter, and it's not too easy for the hunter to kill the animal. It is believed that canned hunts take this element away.
Hunting groups such as the Pope and Young Club and the Boone and Crockett Club do not accept animals killed in canned hunts for inclusion in their record books.
Safari Club International accepts animals killed in canned hunts for inclusion in its record books as well as in its award categories.
Read more about this topic: Canned Hunt
Famous quotes containing the word criticism:
“I am opposed to writing about the private lives of living authors and psychoanalyzing them while they are alive. Criticism is getting all mixed up with a combination of the Junior F.B.I.- men, discards from Freud and Jung and a sort of Columnist peep- hole and missing laundry list school.... Every young English professor sees gold in them dirty sheets now. Imagine what they can do with the soiled sheets of four legal beds by the same writer and you can see why their tongues are slavering.”
—Ernest Hemingway (1899–1961)
“To be just, that is to say, to justify its existence, criticism should be partial, passionate and political, that is to say, written from an exclusive point of view, but a point of view that opens up the widest horizons.”
—Charles Baudelaire (1821–1867)
“Cubism had been an analysis of the object and an attempt to put it before us in its totality; both as analysis and as synthesis, it was a criticism of appearance. Surrealism transmuted the object, and suddenly a canvas became an apparition: a new figuration, a real transfiguration.”
—Octavio Paz (b. 1914)