Roles
- Candide (tenor)
- Pangloss (baritone; doubles with Martin in the 1956 stage version and Bernstein's 1989 revision. In the Hal Prince versions, he doubles with several other characters, including the narrator Voltaire and the Governor.)
- Maximilian (baritone, but can be played by a tenor; is a speaking role in the original 1956 version.)
- Cunégonde (soprano)
- Paquette (alto in versions of the musical from 1974 on. Although a major character in Voltaire's novella and all revivals of the show, she is a walk-on part with only one line in the 1956 stage version.)
- The Old Lady (alto)
- Martin (baritone. Doubles with Pangloss in the 1956 version and some later versions. Does not appear in the 1973 version.)
- Cacambo (speaking role. Does not appear in the 1956 or 1973 versions. Doubles with Pangloss and Martin in Bernstein's 1989 revisions.)
Read more about this topic: Candide (operetta)
Famous quotes containing the word roles:
“It was always the work that was the gyroscope in my life. I don’t know who could have lived with me. As an architect you’re absolutely devoured. A woman’s cast in a lot of roles and a man isn’t. I couldn’t be an architect and be a wife and mother.”
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“Productive collaborations between family and school, therefore, will demand that parents and teachers recognize the critical importance of each other’s participation in the life of the child. This mutuality of knowledge, understanding, and empathy comes not only with a recognition of the child as the central purpose for the collaboration but also with a recognition of the need to maintain roles and relationships with children that are comprehensive, dynamic, and differentiated.”
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“A concern with parenting...must direct attention beyond behavior. This is because parenting is not simply a set of behaviors, but participation in an interpersonal, diffuse, affective relationship. Parenting is an eminently psychological role in a way that many other roles and activities are not.”
—Nancy Chodorow (20th century)