Background
Canard, being a "failed" Ultimate Coordinator experiment, was supposed to be disposed of. However with the aid of a worker that felt sorry for him, he escapes from the Mendel research facility and is found by a group of scientists from the Eurasian Federation. He is brought to yet another research facility where attempts to gather information on his abilities are carried out through torture and other cruel tests. They often refer to him as a "failure", which emotionally scars Canard and becomes fuel for his anger and hatred, particularly of Kira Yamato. It is known that he escapes this facility at least once, events that lead to an encounter with a mysterious man who is aware of the project that spawned Canard. This man suggests to him that he should become the "real version" of himself. Canard contemplates this and states the he wants to be the "real version" to which the man responds by telling him that Kira Yamato is the "real version" and thus the person he must defeat. It is unknown if he is caught or returns voluntarily, but he does end up back with the Eurasian Federation where he is then linked to the group "Special Operatives X" under the command of Admiral Gerard Garcia.
Read more about this topic: Canard Pars
Famous quotes containing the word background:
“In the true sense ones native land, with its background of tradition, early impressions, reminiscences and other things dear to one, is not enough to make sensitive human beings feel at home.”
—Emma Goldman (18691940)
“I had many problems in my conduct of the office being contrasted with President Kennedys conduct in the office, with my manner of dealing with things and his manner, with my accent and his accent, with my background and his background. He was a great public hero, and anything I did that someone didnt approve of, they would always feel that President Kennedy wouldnt have done that.”
—Lyndon Baines Johnson (19081973)
“Silence is the universal refuge, the sequel to all dull discourses and all foolish acts, a balm to our every chagrin, as welcome after satiety as after disappointment; that background which the painter may not daub, be he master or bungler, and which, however awkward a figure we may have made in the foreground, remains ever our inviolable asylum, where no indignity can assail, no personality can disturb us.”
—Henry David Thoreau (18171862)