Reception
| Reception | |
|---|---|
| Aggregate scores | |
| Aggregator | Score |
| Metacritic | 75% |
| Review scores | |
| Publication | Score |
| 1UP.com | A |
| Eurogamer | 8 of 10 |
| GameSpot | 8.0 of 10 |
| GamesRadar | 7 of 10 |
| GameZone | 8.0 of 10 |
| IGN | 8.3 of 10 |
| Nintendo World Report | 9.0 of 10 |
| Official Nintendo Magazine | 83% |
The Nintendo DS version received an average score of 77.83% based on 12 reviews on the review aggregator GameRankings, and an average score of 75 out of 100 based on 12 reviews on Metacritic—indicating "generally favorable reviews."
IGN scored Call of Duty world at war's DS version at 8.3/10, praising elements including a surprising level of complexity for the hardware, "impressive sound production all around", fun gameplay, and great multiplayer. Criticism of the game notes some minor glitches, and the absence of a way to communicate online. GameSpot scored the game 8.0/10, praising technical achievements of the engine and audio which "... deliver the true Call of Duty experience".
Read more about this topic: Call Of Duty: World At War (Nintendo DS)
Famous quotes containing the word reception:
“Aesthetic emotion puts man in a state favorable to the reception of erotic emotion.... Art is the accomplice of love. Take love away and there is no longer art.”
—Rémy De Gourmont (1858–1915)
“He’s leaving Germany by special request of the Nazi government. First he sends a dispatch about Danzig and how 10,000 German tourists are pouring into the city every day with butterfly nets in their hands and submachine guns in their knapsacks. They warn him right then. What does he do next? Goes to a reception at von Ribbentropf’s and keeps yelling for gefilte fish!”
—Billy Wilder (b. 1906)
“To the United States the Third World often takes the form of a black woman who has been made pregnant in a moment of passion and who shows up one day in the reception room on the forty-ninth floor threatening to make a scene. The lawyers pay the woman off; sometimes uniformed guards accompany her to the elevators.”
—Lewis H. Lapham (b. 1935)