"Call Me" is a song composed by Tony Hatch for Petula Clark which became an easy listening standard via a hit version by Chris Montez.
"Call Me" first appeared as the title cut on a Petula Clark EP released in 1965 by Vogue in the UK. "Call Me" and the three other tracks on the EP: "Heart", "Everything in the Garden" and "Stangers and Lovers" were released in the US as tracks on Clark's I Know A Place album.
Also in 1965 Chris Montez, who had scored the hit "Let's Dance" in 1962 and subsequently dropped out of the music business, was invited to resume recording by A&M Records' founder Herb Alpert. Alpert was unhappy when Montez began recording for A&M in his previous Chicano rock style and personally suggested Montez shift to easy listening choosing "Call Me" as the song to be Montez's debut single on A&M. Released in November 1965, "Call Me" entered the Easy Listening Top 40 in Billboard that December entering the Billboard Hot 100 in January 1966; that March "Call Me" peaked on the Easy Listening chart at #2 and on the Hot 100 at #22.
Montez's version of "Call Me" was released as a single in the UK on the Pye label in January 1966 but failed to chart: "Call Me" was also a non-charting UK single release in 1966 for Lulu.
Georgia Gibbs recorded "Call Me" as the title cut for her final album released in 1966. Other versions of "Call Me" have been recorded by Shirley Bassey, Vikki Carr, Eliane Elias, Astrud Gilberto, Peggy Lee, Trini Lopez, Mimì Bertè, the New Classic Singers, Frank Sinatra, Nancy Sinatra, Joanie Sommers and Nancy Wilson. In October 2007, as part of his album Romancing the '60s, Frankie Valli also covered this song.
Instrumental recordings of "Call Me" are often used as background music in radio and television. In 1973 Bell Telephone utilized the song "Call Me" as the company's advertising jingle.
Famous quotes containing the words call and/or clark:
“To spell out the obvious is often to call it in question.”
—Eric Hoffer (1902–1983)
“In the beginning, I wanted to enter what was essentially a man’s field. I wanted to prove I could do it. Then I found that when I did as well as the men in the field I got more credit for my work because I am a woman, which seems unfair.”
—Eugenie Clark (b. 1922)