Popular Culture References
In the Doctor Who Eighth Doctor Adventures series, it was revealed that the Eighth Doctor's enemies, Faction Paradox, a cult of time-travelling voodooists who worship paradox, have established a base in the eleven days that were missing from the calendar after the change-over, the Faction exploiting their manipulation of perception and contradiction to take the days that everyone believed were missing and make them 'real'.
The lost days feature in the plot of Robert Rankin's book The Brentford Chainstore Massacre, where a monk from the borough of Brentford made such a protest about the lost days after the change-over that the Church eventually decided to award Brentford two extra days a year if they were really wanted. The scrolls containing this proclamation were subsequently hidden for centuries until they were discovered by the protagonists of Jim Pooley and John Omally, the two men using the extra days that Brentford has accumulated over the years in order to celebrate the Millennium two years ahead of schedule, allowing the mysterious Professor Slocombe to perform a ritual that will bring about peace on Earth if the appropriate celebrations take place at that time.
The lost days are also the subject of conversation in Episode 19 of Thomas Pynchon's novel, Mason & Dixon.
Read more about this topic: Calendar (New Style) Act 1750
Famous quotes containing the words popular and/or culture:
“Fifty million Frenchmen can’t be wrong.”
—Anonymous. Popular saying.
Dating from World War I—when it was used by U.S. soldiers—or before, the saying was associated with nightclub hostess Texas Quinan in the 1920s. It was the title of a song recorded by Sophie Tucker in 1927, and of a Cole Porter musical in 1929.
“Any historian of the literature of the modern age will take virtually for granted the adversary intention, the actually subversive intention, that characterizes modern writing—he will perceive its clear purpose of detaching the reader from the habits of thought and feeling that the larger culture imposes, of giving him a ground and a vantage point from which to judge and condemn, and perhaps revise, the culture that produces him.”
—Lionel Trilling (1905–1975)