Popular Culture References
In the Doctor Who Eighth Doctor Adventures series, it was revealed that the Eighth Doctor's enemies, Faction Paradox, a cult of time-travelling voodooists who worship paradox, have established a base in the eleven days that were missing from the calendar after the change-over, the Faction exploiting their manipulation of perception and contradiction to take the days that everyone believed were missing and make them 'real'.
The lost days feature in the plot of Robert Rankin's book The Brentford Chainstore Massacre, where a monk from the borough of Brentford made such a protest about the lost days after the change-over that the Church eventually decided to award Brentford two extra days a year if they were really wanted. The scrolls containing this proclamation were subsequently hidden for centuries until they were discovered by the protagonists of Jim Pooley and John Omally, the two men using the extra days that Brentford has accumulated over the years in order to celebrate the Millennium two years ahead of schedule, allowing the mysterious Professor Slocombe to perform a ritual that will bring about peace on Earth if the appropriate celebrations take place at that time.
The lost days are also the subject of conversation in Episode 19 of Thomas Pynchon's novel, Mason & Dixon.
Read more about this topic: Calendar (New Style) Act 1750
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“Like other secret lovers, many speak mockingly about popular culture to conceal their passion for it.”
—Mason Cooley (b. 1927)
“It is clear that in a monarchy, where he who commands the exceution of the laws generally thinks himself above them, there is less need of virtue than in a popular government, where the person entrusted with the execution of the laws is sensible of his being subject to their direction.”
—Charles Louis de Secondat Montesquieu (1689–1755)
“The white dominant culture seemed to think that once the Indians were off the reservations, they’d eventually become like everybody else. But they aren’t like everybody else. When the Indianness is drummed out of them, they are turned into hopeless drunks on skid row.”
—Elizabeth Morris (b. c. 1933)