Popular Culture References
In the Doctor Who Eighth Doctor Adventures series, it was revealed that the Eighth Doctor's enemies, Faction Paradox, a cult of time-travelling voodooists who worship paradox, have established a base in the eleven days that were missing from the calendar after the change-over, the Faction exploiting their manipulation of perception and contradiction to take the days that everyone believed were missing and make them 'real'.
The lost days feature in the plot of Robert Rankin's book The Brentford Chainstore Massacre, where a monk from the borough of Brentford made such a protest about the lost days after the change-over that the Church eventually decided to award Brentford two extra days a year if they were really wanted. The scrolls containing this proclamation were subsequently hidden for centuries until they were discovered by the protagonists of Jim Pooley and John Omally, the two men using the extra days that Brentford has accumulated over the years in order to celebrate the Millennium two years ahead of schedule, allowing the mysterious Professor Slocombe to perform a ritual that will bring about peace on Earth if the appropriate celebrations take place at that time.
The lost days are also the subject of conversation in Episode 19 of Thomas Pynchon's novel, Mason & Dixon.
Read more about this topic: Calendar (New Style) Act 1750
Famous quotes containing the words popular and/or culture:
“If our entertainment culture seems debased and unsatisfying, the hope is that our children will create something of greater worth. But it is as if we expect them to create out of nothing, like God, for the encouragement of creativity is in the popular mind, opposed to instruction. There is little sense that creativity must grow out of tradition, even when it is critical of that tradition, and children are scarcely being given the materials on which their creativity could work”
—C. John Sommerville (20th century)
“As the twentieth century ends, commerce and culture are coming closer together. The distinction between life and art has been eroded by fifty years of enhanced communications, ever-improving reproduction technologies and increasing wealth.”
—Stephen Bayley (b. 1951)