Calendar Girls - Production

Production

Six of the eleven women who were pictured in the original calendar sold the rights to their stories. They were Angela Baker, Tricia Stewart, Beryl Bamforth, Lynda Logan, Christine Clancy, and Ros Fawcett. In addition to the calendars, they also posed for a postcard known as "Baker's Half Dozen."

Whereas the actual Calendar Girls were members of the Rylstone Women's Institute, much of the film was shot in and around the village of Kettlewell in North Yorkshire, some ten miles away. Additional locations include Buckden, Burnsall, Coniston, Ilkley, Settle, Linton, Malham, Skipton, Westminster and Ealing in London, and the beach in Santa Monica. The penultimate shot of Chris and Annie walking down a street was filmed in Turville. Interiors were filmed in the Shepperton Studios.

The pictures in the film-version calendar were taken by professional stills photographer Jaap Buitendijk.

The film's soundtrack includes "You Upset Me Baby" performed by B.B. King, "Sloop John B" by The Beach Boys, "The Way You Do the Things You Do" by The Temptations, and "Comin' Home Baby" by Roland Kirk and Quincy Jones.

The film premiered at the Locarno Film Festival. It was later shown at Filmfest Hamburg, the Dinard Festival of British Cinema in France, the Warsaw Film Festival, the Tokyo International Film Festival, and the UK Film Festival in Hong Kong.

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Famous quotes containing the word production:

    An art whose limits depend on a moving image, mass audience, and industrial production is bound to differ from an art whose limits depend on language, a limited audience, and individual creation. In short, the filmed novel, in spite of certain resemblances, will inevitably become a different artistic entity from the novel on which it is based.
    George Bluestone, U.S. educator, critic. “The Limits of the Novel and the Limits of the Film,” Novels Into Film, Johns Hopkins Press (1957)

    ... this dream that men shall cease to waste strength in competition and shall come to pool their powers of production is coming to pass all over the earth.
    Jane Addams (1860–1935)

    The problem of culture is seldom grasped correctly. The goal of a culture is not the greatest possible happiness of a people, nor is it the unhindered development of all their talents; instead, culture shows itself in the correct proportion of these developments. Its aim points beyond earthly happiness: the production of great works is the aim of culture.
    Friedrich Nietzsche (1844–1900)