ICALEL is an acronym for the Calabar International Conference on African Literature and the English Language founded and chaired by African scholar and critic Ernest Emenyonu. At the centre of the conference are African writers and critics from all over the world. The first conference entitled “The Woman as a Writer in Africa” was held at the University of Calabar auditorium in May 1981 and Ghanaian writer Ama Ata Aidoo was keynote speaker. The themes of 1982 namely “Literature in African Languages” and “Writing Books for Children” featured Ngũgĩ wa Thiong'o and Bessie Head as keynote speakers. Till date a host of African writers have featured at the conference including Cyprian Ekwensi, Chinua Achebe, Wole Soyinka, Chinweizu, Dennis Brutus, Buchi Emecheta, Flora Nwapa, Elechi Amadi, Ken Saro Wiwa, Chukwuemeka Ike, Nurrudin Farah, Syl Cheney Coker, to mention a few.
Famous quotes containing the words conference, african, literature, english and/or language:
“Politics is still the man’s game. The women are allowed to do the chores, the dirty work, and now and then—but only occasionally—one is present at some secret conference or other. But it’s not the rule. They can go out and get the vote, if they can and will; they can collect money, they can be grateful for being permitted to work. But that is all.”
—Mary Roberts Rinehart (1876–1958)
“A tanned skin is something more than respectable, and perhaps olive is a fitter color than white for a man,—a denizen of the woods. “The pale white man!” I do not wonder that the African pitied him.”
—Henry David Thoreau (1817–1862)
“The struggle of literature is in fact a struggle to escape from the confines of language; it stretches out from the utmost limits of what can be said; what stirs literature is the call and attraction of what is not in the dictionary.”
—Italo Calvino (1923–1985)
“The apparent rulers of the English nation are like the imposing personages of a splendid procession: it is by them the mob are influenced; it is they whom the spectators cheer. The real rulers are secreted in second-rate carriages; no one cares for them or asks after them, but they are obeyed implicitly and unconsciously by reason of the splendour of those who eclipsed and preceded them.”
—Walter Bagehot (1826–1877)
“He never doubts his genius; it is only he and his God in all the world. He uses language sometimes as greatly as Shakespeare; and though there is not much straight grain in him, there is plenty of tough, crooked timber.”
—Henry David Thoreau (1817–1862)