Cakewalk - As A Plantation Dance

As A Plantation Dance

The authors of Jazz Dance: The Story of American Vernacular Dance reported that an early 1950s experiment with African guests turned up "no worthy African counterpart" to the Cakewalk. While folklorist Harold Courlander reported that he had seen "certain passages" which were "virtually indistinguishable" from the Cakewalk in South Africa, Ghana and Nigeria, Brook Baldwin nevertheless wrote in 1981 that "Researchers have not yet pinpointed the origin of the cakewalk." One theory holds that the cakewalk originated as a parody of the formal ballroom dancing preferred of white slave owners, including satirical exaggerations of European dance moves.

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