Culture
Cagliari is home of the University of Cagliari, the first university in Sardinia, founded in 1620. Cagliari has some peculiar gastronomic traditions. Many dishes are based on the wide variety of fish and sea food available, for example, burrida. Although it is possible to trace influences from Spanish cuisine, Cagliaritanian food has a distinctive and unique character. Very good wines are also part of Cagliaritanians' dinners: excellent wines are in fact produced in the nearby vineyards of the Campidano plain.
Life in Cagliari has been depicted by many writers, such as Giulio Angioni, Giorgio Todde, and vividly by Sergio Atzeni, who set many of his novels and short stories, such as Bakunin's Son, in ancient and modern Cagliari.
The Basilica of Bonaria in Cagliari gives its name to Buenos Aires. The Spaniard who founded Buenos Aires visited the church of Bonaria (fair winds) and asked for help from the Mary of Bonaria, to whom the church is dedicated. The church faces the sea and was allegedly built where a sailor landed after the Mary of Bonaria appeared in the midst of a tempest and saved the sailor and his ship from sinking.
It is the seat of the Archdiocese of Cagliari.
The main opera house of Sardinia, Teatro Lirico, has its quarters in Cagliari.
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Famous quotes containing the word culture:
“Culture is the suggestion, from certain best thoughts, that a man has a range of affinities through which he can modulate the violence of any master-tones that have a droning preponderance in his scale, and succor him against himself. Culture redresses this imbalance, puts him among equals and superiors, revives the delicious sense of sympathy, and warns him of the dangers of solitude and repulsion.”
—Ralph Waldo Emerson (1803–1882)
“... we’ve allowed a youth-centered culture to leave us so estranged from our future selves that, when asked about the years beyond fifty, sixty, or seventy—all part of the average human life span providing we can escape hunger, violence, and other epidemics—many people can see only a blank screen, or one on which they project fear of disease and democracy.”
—Gloria Steinem (b. 1934)