Cabinet of Curiosities - in Contemporary Culture

In Contemporary Culture

In Los Angeles, the modern-day Museum of Jurassic Technology anachronistically seeks to recreate the sense of wonder that the old cabinets of curiosity once aroused. In Spring Green, Wisconsin, the home and museum of Alex Jordan, known as House on the Rock, can also be interpreted as a modern day curiosity cabinet, especially in the collection and display of automatons. The idea of a cabinet of curiosities has also appeared in recent publications and performances: Cabinet magazine is a quarterly magazine that juxtaposes apparently unrelated cultural artifacts and phenomena in order to show their interconnectedness in ways that encourage curiosity about the world. The Italian cultural association Wunderkammern uses the theme of historical cabinets of curiosities to explore how such "amazement" is manifested within today's artistic discourse. The May 2008 The University of Leeds Fine Art BA programme entitled 'Wunder Kammer'—the culmination of research and practice from the students of Leeds University's Fine Art programme—allows viewers to encounter work from across all disciplines; ranging from intimate installation to thought-provoking video and highly skilled drawing, punctuated with live performances.

Several internet bloggers describe their sites as a wunderkammer, either because they are primarily made up of links to things that are interesting, or because they inspire wonder in a similar manner to the original wunderkammer (see External Links, below). Robert Gehl describes internet video sites like YouTube as modern-day Wunderkammern, although in danger of being refined into capitalist institutions, "just as professionalized curators refined Wunderkammers into the modern museum in the 18th century."

Read more about this topic:  Cabinet Of Curiosities

Famous quotes containing the words contemporary and/or culture:

    I have the strong impression that contemporary middle-class women do seem prone to feelings of inadequacy. We worry that we do not measure up to some undefined level, some mythical idealized female standard. When we see some women juggling with apparent ease, we suspect that we are grossly inadequate for our own obvious struggles.
    Faye J. Crosby (20th century)

    The anorexic prefigures this culture in rather a poetic fashion by trying to keep it at bay. He refuses lack. He says: I lack nothing, therefore I shall not eat. With the overweight person, it is the opposite: he refuses fullness, repletion. He says, I lack everything, so I will eat anything at all. The anorexic staves off lack by emptiness, the overweight person staves off fullness by excess. Both are homeopathic final solutions, solutions by extermination.
    Jean Baudrillard (b. 1929)