Cabin Fever (2002 Film) - Production

Production

The film was shot on a small budget of $1.5 million. The original killer dog was so old and tired that all of its scenes had to be re-shot with a new dog. With no time or money to find a replacement, the producers cast a real police attack dog that was so vicious and unpredictable that no actors could appear with it on camera.

Composer Angelo Badalamenti agreed to compose some musical themes for the film out of enthusiasm for the material. However, the bulk of the film's score was composed by Nathan Barr who has gone on to score both of Eli's Hostel films. Actor Michael Rosenbaum was originally cast to play Justin aka Grim, but when Rosenbaum wasn't able to commit to the shoot due to another production, Smallville, that was taking off, the role was filled by the director himself.

Joey Kern sustained numerous unrelated injuries to his eye during filming, each one requiring a trip to hospital. His injuries disrupted the filming schedule and many scenes that were to be shot later were rescheduled at the last minute, so that minimal shooting time would be lost while Kern recovered. This resulted in numerous supposedly daytime scenes (mainly ones inside the cabin) being shot in the middle of the night.

Roth originally wanted Cerina Vincent to show her naked buttocks during her sex scene with Rider Strong. However, Vincent, who had previously played a nude foreign exchange student in Not Another Teen Movie was afraid that exposing too much of herself would lead to being typecast as a nudity actress and vehemently refused to bare her buttocks in the movie. At the peak of this stand-off between actress and director, Vincent told Roth that if he wanted the shot so badly, he would need to re-cast the role of Marcy with another actress. But they managed to reach a compromise - Cerina would bare one inch of her buttocks on camera, no more, no less. Eli Roth brought a ruler along to the filming and measured Cerina's buttocks, to be sure he got his one inch. Bedsheets were then taped to Vincent's backside at the designated level and the scene was filmed. Only the second (behind-the-back) shot features this one inch, in the first (over-the-shoulder) shot, the bedsheets cover Cerina's buttocks completely.

At one point, during a break in filming, Strong went exploring alone in the forest. He had been filming one of his more gruesome scenes and his face was covered in bloody make-up. He stumbled upon a group of schoolgirls on a field trip. The girls were initially horrified by Strong's appearance (not realizing it was make up), but then someone recognized him as the actor from Boy Meets World, and Strong soon found himself trying to escape from a mob of starstruck girls. When he eventually found his way back to the film site, he vowed never to wander off between takes again.

Priddy's General Store, built in the 1890s in Stokes County, North Carolina, was used for a scene. Rebecca Clark of the Piedmont Triad Film Commission showed the store to Roth, who said, "This is perfect." Years later, the movie's fans still visit the store.

Read more about this topic:  Cabin Fever (2002 film)

Famous quotes containing the word production:

    The problem of culture is seldom grasped correctly. The goal of a culture is not the greatest possible happiness of a people, nor is it the unhindered development of all their talents; instead, culture shows itself in the correct proportion of these developments. Its aim points beyond earthly happiness: the production of great works is the aim of culture.
    Friedrich Nietzsche (1844–1900)

    [T]he asphaltum contains an exactly requisite amount of sulphides for production of rubber tires. This brown material also contains “ichthyol,” a medicinal preparation used externally, in Webster’s clarifying phrase, “as an alterant and discutient.”
    State of Utah, U.S. public relief program (1935-1943)

    Constant revolutionizing of production ... distinguish the bourgeois epoch from all earlier ones. All fixed, fast-frozen relations, with their train of ancient and venerable prejudices are swept away, all new-formed ones become antiquated before they can ossify. All that is solid melts into air, all that is holy is profaned, and man is at last compelled to face with sober senses, his real conditions of life, and his relations with his kind.
    Karl Marx (1818–1883)