Criticism
While being hailed as a modernizing reformer by many, C. P. is also criticized as a capitalist, authoritarian, imperialist and anti-Communist by some. C. P. has been sharply criticized for failing to rescue the deteriorating Travancore National and Quilon Bank and for cracking down on the bank and its Managing Director, C. P. Mathen.It is believed that C.P framed the downfall of Quilon Bank, using his influence. In 1946, Communist dissent over C. P.'s policies erupted in the form of the Punnapra-Vayalar revolt which was crushed with a brutal hand by Travancore army and navy. Communist hatred over C. P.'s policies finally culminated in an assassination attempt upon the Diwan. However, despite deep antagonism between C. P. and Communists, he opposed the dismissal of the Communist government of Kerala headed by E. M. S. Namboodiripad in 1959 by the Jawaharlal Nehru government as "unconstitutional".
C. P. was also labelled as a "secessionist" due to his initial reluctance in merging Travancore with the Indian Union. Jawaharlal Nehru said of his attitude towards imperialism:
There is little now in common between us except our common nationality. He is today a full-blooded apologist of British rule in India, especially during the last few years; an admirer of dictatorship in India and elsewhere, and himself a shining ornament of autocracy in an Indian state.
His attempt to negotiate a trade agreement with Pakistan on behalf of Travancore was viewed as a betrayal by most Indians. The Temple Entry Proclamation was regarded by missionaries as an attempt to check Christian conversions in the kingdom.
Read more about this topic: C. P. Ramaswami Iyer
Famous quotes containing the word criticism:
“I am opposed to writing about the private lives of living authors and psychoanalyzing them while they are alive. Criticism is getting all mixed up with a combination of the Junior F.B.I.- men, discards from Freud and Jung and a sort of Columnist peep- hole and missing laundry list school.... Every young English professor sees gold in them dirty sheets now. Imagine what they can do with the soiled sheets of four legal beds by the same writer and you can see why their tongues are slavering.”
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“The critic lives at second hand. He writes about. The poem, the novel, or the play must be given to him; criticism exists by the grace of other men’s genius. By virtue of style, criticism can itself become literature. But usually this occurs only when the writer is acting as critic of his own work or as outrider to his own poetics, when the criticism of Coleridge is work in progress or that of T.S. Eliot propaganda.”
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“A friend of mine spoke of books that are dedicated like this: “To my wife, by whose helpful criticism ...” and so on. He said the dedication should really read: “To my wife. If it had not been for her continual criticism and persistent nagging doubt as to my ability, this book would have appeared in Harper’s instead of The Hardware Age.””
—Brenda Ueland (1891–1985)