Byrdcliffe Colony - History

History

For many years, Whitehead had held the idea of creating an Arts and Crafts community where all the arts would come together, including painting, sculpture, music, metalwork and furniture making. After a failed attempt to establish a community near Albany, Oregon, he scouted the East Coast for a suitable site.

After finding an appropriate site near Woodstock, he called the site Byrdcliffe (a melding of his and wife Jane's middle names).

Artists, writers, musicians, social reformers, and intellectuals came from across the country to stay at Byrdcliffe and gain inspiration from the setting and people with shared artistic goals. Facilities included studios for painting, weaving, pottery, metalwork, woodworking; cottages with bathrooms and sleeping porches; a library, and a rambling villa for Whitehead and his family. He built "White Pines" as his residence with a skylit cathedral ceilinged weaving room overlooking a picturesque view across the Woodstock Valley.

The artist colony of Byrdcliffe failed to fulfill its goals of a self-sufficient arts community. It became too expensive and Ralph Whitehead’s dominating personality became a confining force. Byrdcliffe survived for almost 30 years under Whitehead’s vision until his death in 1929.

After Ralph Whitehead's death in 1929, his widow, Jane, and son Peter struggled to keep the colony alive. After Jane's death in 1955, Peter sold much of the land to pay taxes and maintenance on the heart of the colony which he kept intact. The Whiteheads intended to preserve Byrdcliffe "for the purpose of promoting among the residents of Woodstock...the study, practice and development of skill in the fine arts and crafts, as well as a true appreciation thereof..."

Although the arts and crafts utopian experiment soon ran out of steam, the continuing magic of Byrdcliffe enthralled many notable people including the educator John Dewey, author Thomas Mann and naturalist John Burroughs. Isadora Duncan danced at White Pines; Bob Dylan lived in a house at Byrdcliffe in the '60s and early '70s; Joanne Woodward was involved in the River Arts Repertory at the Byrdcliffe Theatre.