Bydgoszcz - Main Sights

Main Sights

The oldest building in the city is the Church of St Martin and Nicolaus, commonly known as Fara Church. It is a three-aisle late Gothic church, erected between 1466 and 1502, which boasts a late-Gothic painting entitled Madonna with a Roseor the Holy Virgin of Beautiful Lovefrom the 16th century. The colourful 20th-century polychrome is also worth noticing.

The Church of the Assumption of the Holy Virgin, commonly referred to as "The Church of Poor Clares," is a famous landmark of the city. It is a small, Gothic-Renaissance (including Neo-Renaissance additions), single-aisle church built between 1582–1602. The interior is rather austere since the church has been stripped of most of its furnishings. Not a surprising fact, considering that in the 19th century the Prussian authorities dissolved the Order of St Clare and turned the church into a warehouse, among other uses. Nonetheless, the church is worth visiting and inspecting. In particular the original wooden polychrome ceiling dating from the 17th century draws the attention of every visitor.

Wyspa Młyńska (Mill Island) is among the most spectacular and atmospheric places in Bydgoszcz. What makes it unique is the location in the very heart of the city centre, just a few steps from the old Market Square. It was the 'industrial' centre of Bydgoszcz in the Middle Ages and for several hundred years thereafter, and it was here that the famous royal mint operated in the 17th century. Most of the buildings which can still be seen on the island date from the 19th century, but the so-called Biały Spichlerz (the White Granary) recalls the end of the 18th century. However, it is the water, footbridges, historic red-brick tenement houses reflected in the rivers, and the greenery, including old chestnut trees, that create the unique atmosphere of the island.

“Hotel pod Orłem” (Hotel Adler or The Eagle Hotel), an icon of the city’s 19th century architecture, was designed by the distinguished Bydgoszcz architect Józef Święcicki, the author of around sixty buildings in the city. Completed in 1896, it served as a hotel from the very beginning and was originally owned by Emil Bernhardt, a hotel manager educated in Switzerland. Its façade displays forms characteristic of the Neo-baroque style in architecture.

Saint Vincent de Paul’s Basilica, erected between 1925 and 1939, is the largest church in Bydgoszcz and one of the biggest in Poland. It can accommodate around 12,000 people. This monumental church, modelled after the Pantheon in Rome, was designed by the Polish architect Adam Ballenstaedt. The most characteristic element of the neo-classical temple is the reinforced concrete dome 40 metres in diameter.

The three granaries in Grodzka Street, picturesquely located on the Brda River in the immediate vicinity of the old Market Square, are the official symbol of the city. Built at the turn of the 19th century, they were originally used to store grain and similar products, but now house exhibitions of the City's Leon Wyczółkowski District Museum.

The city is mostly associated with water, sports, Art Nouveau buildings, waterfront, music, and urban greenery. It is worth noting that Bydgoszcz boasts the largest city park in Poland (830 ha). The city was also once famous for its industry.

Unfortunately, some great monuments were destroyed, for example the church in the Old Market Square and the Municipal Theatre. Additionally, the Old Town lost a few characteristic tenement houses, including the western frontage of the Market Square. The city also lost its Gothic castle and defensive walls.

In Bydgoszcz there is a great number of villas in the concept of garden suburbs.

The most beautiful houses in the New Town (Śródmieście) were mostly designed by Polish and German architects.

Read more about this topic:  Bydgoszcz

Famous quotes containing the words main and/or sights:

    The Temptress has now been shown here—terrible. The story, Garbo, everything is extremely bad. It is no exaggeration to say that I was dreadful. I was tired, I couldn’t sleep and everything went wrong. But the main reason is, I suppose, that I’m no actress.
    Greta Garbo (1905–1990)

    Television hangs on the questionable theory that whatever happens anywhere should be sensed everywhere. If everyone is going to be able to see everything, in the long run all sights may lose whatever rarity value they once possessed, and it may well turn out that people, being able to see and hear practically everything, will be specially interested in almost nothing.
    —E.B. (Elwyn Brooks)