Butler - in Fiction

In Fiction

The real-life modern butler attempts to be discreet and unobtrusive, friendly but not familiar, keenly anticipative of the needs of his or her employer, and graceful and precise in execution of duty. The butler of fiction, by contrast, often tends to be larger-than-life and has become a plot device in literature and a traditional role in the performing arts. Butlers may provide comic relief with wry comments, clues as to the perpetrators of various crimes and are represented as at least as intelligent and moral, or even more so, than their “betters”. They are often portrayed as being serious and expressionless and in the case that the wealthy hero be an orphan—such as Batman, Chrono Crusade's Satella Harvenheit, or Tomb Raider's Lara Croft—be a father figure to said hero. Regardless of the genre in which they are cast, butlers in fiction almost invariably follow the "British butler" model and are given an appropriate-sounding surname. The fictional butler tends to be given a typical Anglo-Celtic surname and have an English accent. The Asian, African American, or Caribbean houseboy is a variant, but even these major-domos are based on the British icon.

Today, butlers are usually portrayed as being refined and well-spoken. However, in 19th century fiction such as Dracula, butlers generally spoke with a strong Cockney or other regional accent.

"The butler" is integral to the plot of countless potboilers and melodramas, whether or not the character has been given a name. Butlers figure so prominently in period pieces and whodunits that they can be considered stock characters in film and theatre where a catchphrase is "the butler did it!"

The best-known fictional manservant, and the prototype of the quintessential British butler, is himself not a butler at all. Reginald Jeeves, the iconic creation of author P. G. Wodehouse is a "gentleman's gentleman" and general factotum. Probably the best-known fictional butlers are Alfred from the Batman comic and films; Hudson of Upstairs, Downstairs television fame; and, Crichton from J. M. Barrie's The Admirable Crichton. Lesser-knowns include Mr. Belvedere from the novel Belvedere, which was adapted into a feature film with sequels and later a television series; Lurch, from the television series The Addams Family, based on Charles Addams' The New Yorker cartoons; Beach, from the Wodehouse series about Blandings Castle; Niles, the butler at the Sheffield house in American sitcom The Nanny, and Benson from the two series Soap and Benson.

Not all fictional butlers portray the "butler stereotype", however. Alan Bates, who played the butler Jennings in the film Gosford Park, was coached in brooding detail by Arthur Inch, a longtime real-life butler. Mr. Stevens, the butler played by Anthony Hopkins in the film Remains of the Day, was also acted with remarkable realism. A female butler, Sarah Stevens, is the principal character in Linda Howard's 2002 Dying to Please, a murder/romance novel. Howard gives detailed and generally accurate descriptions of butlering in the work.