Indian Scenes
Again other reliefs show people in Indian dress, typically holding lotus flowers.
All of these friezes, being contemporary with each other, hint at an intermixing of Indo-Scythians (holding military power), Indo-Greeks (confined, under Indo-Scythian rule, to civilian life, and usually shown revelling with drinking cups) and Indians (possibly most directly involved in religious matters, and shown with the reverencial lotus).
These reliefs usually belonged to Buddhist temples, where they were used as stair-risers, or thresholds to niches on Buddhist monuments. In addition to the Greek costumes depicted in them, the artwork of the reliefs is Hellenistic in style and content; they are considered some of the earliest examples of Greco-Buddhist art. They are usually dated to around the 1st century CE, although they might go back to the 1st century BCE, thus corresponding to the period of Indo-Greek and Indo-Scythian rule in the Indian subcontinent.
One of the most famous of these reliefs is the one located in the Victoria and Albert Museum.
Read more about this topic: Buner Reliefs
Famous quotes containing the words indian and/or scenes:
“I confess what chiefly interests me, in the annals of that war, is the grandeur of spirit exhibited by a few of the Indian chiefs. A nameless Wampanoag who was put to death by the Mohicans, after cruel tortures, was asked by his butchers, during the torture, how he liked the war?—he said, “he found it as sweet as sugar was to Englishmen.””
—Ralph Waldo Emerson (1803–1882)
“The Taylor and the Painter often contribute to the Success of a Tragedy more than the Poet. Scenes affect ordinary Minds as much as Speeches; and our Actors are very sensible, that a well-dressed Play has sometimes brought them as full Audiences, as a well-written one.... But however the Show and Outside of the Tragedy may work upon the Vulgar, the more understanding Part of the Audience immediately see through it, and despise it.”
—Joseph Addison (1672–1719)