Plot
The film focuses on Ronald, a young boy who wants to become a builder or surveyor when he grows up. He voices this ambition to his older and more cautious cousins Paul and Jane, who tell him he knows nothing about the hazards of building sites. The cousins then stage a series of elaborate fantasies which are presented as though real: they are in charge of a Star Trek-style teleporter which they use to send Ronald into various building sites and other dangerous areas to look for his lost dog (a Yorkshire Terrier). In each location he is killed by his inability to recognise danger, the dog whining as it sniffs his lifeless hand and the watching cousins shaking their heads over his mistakes. Each time he is restored to life by the teleporter, as cocky as before and ready for another "challenge", except the last time when the cousins have joined him in the danger area and are thus unable to "rescue" him.
Some of the footage of Ronald's deaths is very graphic, showing the boy being buried alive in a trench collapse, electrocuted in a half-demolished house, run over by an earthmoving vehicle, breaking his skull after falling off a pipe against a concrete wall, crushed beneath a falling pile of bricks, and ultimately drowning in a disused quarry; each time he is about to die, the sound of a heartbeat is played on the soundtrack to warn viewers and give them a chance to shut their eyes. At the end of the film, and back in the real world, Ronald announces that he has abandoned the idea of working on a building site, and the children go outside to play; over the closing shot of the film, one of the child actors reads out real-life stories of children killed in dangerous areas such as those the viewer has witnessed.
Read more about this topic: Building Sites Bite
Famous quotes containing the word plot:
“Ends in themselves, my letters plot no change;
They carry nothing dutiable; they won’t
Aspire, astound, establish or estrange.”
—Philip Larkin (1922–1986)
“The plot! The plot! What kind of plot could a poet possibly provide that is not surpassed by the thinking, feeling reader? Form alone is divine.”
—Franz Grillparzer (1791–1872)
“If you need a certain vitality you can only supply it yourself, or there comes a point, anyway, when no one’s actions but your own seem dramatically convincing and justifiable in the plot that the number of your days concocts.”
—John Ashbery (b. 1927)