Budleigh Salterton - in Popular Culture

In Popular Culture

  • In the song "(Now) I know (where I'm going) our kid" by the parody group the Shirehorses, Budleigh Salterton is cited satirically as being on the road to Scotland.
  • The character Giles Wemmbley-Hogg portrayed by Marcus Brigstocke in the radio programme Giles Wemmbley-Hogg Goes Off lives in Budleigh Salterton.
  • Budleigh Salterton was used as a location for Jeremy Clarkson to review the Bentley Continental GT in a 2003 episode of Top Gear. He described the name Budleigh Salterton as the sort of name an owner of a Bentley Continental GT would have - and "Britain's most overpriced, dreary place."
  • In an episode of Blackadder the Third, after one of his failed get-rich-quick schemes, Mr. E. Blackadder exclaimed "I don't believe it! Goodbye Millionaire's Row. Hello Room 12 of the Budleigh Salterton Twilight Rest Home for the Terminally Short of Cash!"
  • Referred to in Blithe Spirit - "What ever is wrong with Budleigh Salterton?"
  • Budleigh Salterton is referenced briefly in an episode of Monty Python's Flying Circus, "The Cycling Tour".
  • The town Budleigh Babberton in the Harry Potter books is named after this town.
  • Budleigh Salterton was mentioned in an episode of Granada Television's adaptation/dramatisation of the Sherlock Holmes story Charles Augustus Milverton (aired under the title, "The Master Blackmailer") as an intended honeymoon location. In the original account by Sir Arthur Conan Doyle, however, this location (as well as the entire scene) was never mentioned, so it cannot be relied upon as canon under Holmes lore.

Read more about this topic:  Budleigh Salterton

Famous quotes containing the words popular and/or culture:

    The lowest form of popular culture—lack of information, misinformation, disinformation, and a contempt for the truth or the reality of most people’s lives—has overrun real journalism. Today, ordinary Americans are being stuffed with garbage.
    Carl Bernstein (b. 1944)

    With respect to a true culture and manhood, we are essentially provincial still, not metropolitan,—mere Jonathans. We are provincial, because we do not find at home our standards; because we do not worship truth, but the reflection of truth; because we are warped and narrowed by an exclusive devotion to trade and commerce and manufacturers and agriculture and the like, which are but means, and not the end.
    Henry David Thoreau (1817–1862)