Early Years
Clayton played piano when he was six years old and switched to trumpet when he was a teenager. After high school, he moved to Los Angeles. He later formed a band named “14 Gentlemen from Harlem” in which he was the leader of the 14-member orchestra.
From there, there are multiple sources claiming different ways in which Clayton ended up in Shanghai. Some claimed that Clayton was picked by Teddy Weatherford for a job at the Canidrome ballroom in the French Concession in Shanghai. Others claimed he escaped the US temporarily to avoid racism.
From 1934 or 1935 (depending on the sources), he was a leader of the "Harlem Gentlemen" in Shanghai. His experience in the east was unique, since Clayton was discriminated against by fellow American marines who were stationed in Shanghai. On numerous accounts, he was attacked by soldiers, including an instance where bricks were thrown at him. On the contrary he was treated like an elite by the Chinese. Some of the bureaucratic social groups he was with included Chiang Kai-shek's wife Soong Mei-ling and her sister Ai-ling, who were regulars at the Canidrome. Clayton would play a number of songs that were composed by Li Jinhui, while adopting the Chinese music scale into the American scale. Li learned a great deal from the American jazz influence brought over by Clayton. A 1935 guidebook in Shanghai listed Clayton and Teddy Weatherford as the main jazz attraction at the Canidrome. He would eventually leave Shanghai before the 1937 Second Sino-Japanese War. Clayton is credited for helping to close the gap between traditional Chinese music and shidaiqu/mandopop. Li is mostly remembered in China as a casualty of the Cultural Revolution.
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