Selections From The European Collection
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Lorenzo di Niccolò, Saint Lawrence Buried in Saint Stephen's Tomb, 1410–1414, tempera and tooled gold on poplar, 33 × 36 cm
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Sano di Pietro, Triptych of Madonna with Child, St. James and St. John the Evangelist, ca. 1460 and 1462
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Eugène Delacroix, Desdemona Cursed by her Father (Desdemona maudite par son père), c. 1850-1854
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Gustave Courbet, The Edge of the Pool, 1867
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Edgar Degas, Portrait de Mlle Eugénie Fiocre, 1867-1868
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Alfred Sisley, Flood at Moret (Inondation à Moret), 1879
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Gustave Caillebotte, Apple Tree in Bloom (Pommier en fleurs), c. 1885
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Jules Breton, Fin du travail (The End of the Working Day), c.1886-1887
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Claude Monet, The Church at Vernon, 1894
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Claude Monet, Houses of Parliament Sunlight Effect (Le Parlement effet de soleil), 1903
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Claude Monet, The Doge's Palace (Le Palais ducal), 1908
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André Derain, Landscape in Provence (Paysage de Provence) (c. 1908)
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“Artists, whatever their medium, make selections from the abounding materials of life, and organize these selections into works that are under the control of the artist.... In relation to the inclusiveness and literally endless intricacy of life, art is arbitrary, symbolic and abstracted. That is its value and the source of its own kind of order and coherence.”
—Jane Jacobs (b. 1916)
“Artists, whatever their medium, make selections from the abounding materials of life, and organize these selections into works that are under the control of the artist.... In relation to the inclusiveness and literally endless intricacy of life, art is arbitrary, symbolic and abstracted. That is its value and the source of its own kind of order and coherence.”
—Jane Jacobs (b. 1916)
“Artists, whatever their medium, make selections from the abounding materials of life, and organize these selections into works that are under the control of the artist.... In relation to the inclusiveness and literally endless intricacy of life, art is arbitrary, symbolic and abstracted. That is its value and the source of its own kind of order and coherence.”
—Jane Jacobs (b. 1916)
“The Indian is one of Nature’s gentlemen—he never says or does a rude or vulgar thing. The vicious, uneducated barbarians, who form the surplus of overpopulous European countries, are far behind the wild man in delicacy of feeling or natural courtesy.”
—Susanna Moodie (1803–1885)
“All urbanization, pushed beyond a certain point, automatically becomes suburbanization.... Every great city is just a collection of suburbs. Its inhabitants ... do not live in their city; they merely inhabit it.”
—Aldous Huxley (1894–1963)