Broken Social Scene is a Canadian indie rock band, a musical collective including as few as six and as many as nineteen members, formed in 1999 by Kevin Drew and Brendan Canning. Most of its members currently play in various other groups and solo projects, mainly based around the city of Toronto. The band refuses the label "supergroup", based on size or the ubiquity of their members, claiming that in the indie scene everyone is involved in more than one project.
The group's sound could be considered a combination of all of its members' respective musical projects, and is occasionally considered baroque pop. It is characterized by a very large number of sounds, grand orchestrations featuring guitars, horns, woodwinds, and violins, unusual song structures, and an experimental, and sometimes chaotic production style from David Newfeld, who produced the second and third albums.
In 2009, This Book Is Broken was published. Written by Stuart Berman, it details the band from its inception to its critical acclaim. In 2010, Bruce McDonald made This Movie Is Broken, a movie about the band's Harbourfront show during the 2009 Toronto strike.
Read more about Broken Social Scene: Touring Lineup History, Videography, Bibliography
Famous quotes containing the words broken, social and/or scene:
“With the half of a broken hope for a pillow at night
That somehow the right is the right
And the smooth shall bloom from the rough:
Lord, if that were enough?”
—Robert Louis Stevenson (1850–1894)
“I have more in common with a Mexican man than with a white woman.... This opinion ... chagrins women who sincerely believe our female physiology unequivocally binds all women throughout the world, despite the compounded social prejudices that daily affect us all in different ways. Although women everywhere experience life differently from men everywhere, white women are members of a race that has proclaimed itself globally superior for hundreds of years.”
—Ana Castillo (b. 1953)
“We [actors] are indeed a strange lot! There are times we doubt that we have any emotions we can honestly call our own. I have approached every dynamic scene change in my life the same way. When I married Charlie MacArthur, I sat down and wondered how I could play the best wife that ever was.... My love for him was the truest thing in my life; but it was still important that I love him with proper effect, that I act loving him with great style, that I achieve the ultimate in wifedom.”
—Helen Hayes (1900–1993)