Broken Social Scene is a Canadian indie rock band, a musical collective including as few as six and as many as nineteen members, formed in 1999 by Kevin Drew and Brendan Canning. Most of its members currently play in various other groups and solo projects, mainly based around the city of Toronto. The band refuses the label "supergroup", based on size or the ubiquity of their members, claiming that in the indie scene everyone is involved in more than one project.
The group's sound could be considered a combination of all of its members' respective musical projects, and is occasionally considered baroque pop. It is characterized by a very large number of sounds, grand orchestrations featuring guitars, horns, woodwinds, and violins, unusual song structures, and an experimental, and sometimes chaotic production style from David Newfeld, who produced the second and third albums.
In 2009, This Book Is Broken was published. Written by Stuart Berman, it details the band from its inception to its critical acclaim. In 2010, Bruce McDonald made This Movie Is Broken, a movie about the band's Harbourfront show during the 2009 Toronto strike.
Read more about Broken Social Scene: Touring Lineup History, Videography, Bibliography
Famous quotes containing the words broken, social and/or scene:
“Iron are our lives
Molten right through our youth.
A burnt space through ripe fields
A fair mouth’s broken tooth.”
—Isaac Rosenberg (1890–1918)
“This is no argument against teaching manners to the young. On the contrary, it is a fine old tradition that ought to be resurrected from its current mothballs and put to work...In fact, children are much more comfortable when they know the guide rules for handling the social amenities. It’s no more fun for a child to be introduced to a strange adult and have no idea what to say or do than it is for a grownup to go to a formal dinner and have no idea what fork to use.”
—Leontine Young (20th century)
“I suppose that Paderewski can play superbly, if not quite at his best, while his thoughts wander to the other end of the world, or possibly busy themselves with a computation of the receipts as he gazes out across the auditorium. I know a great actor, a master technician, can let his thoughts play truant from the scene ...”
—Minnie Maddern Fiske (1865–1932)