Broken Social Scene is a Canadian indie rock band, a musical collective including as few as six and as many as nineteen members, formed in 1999 by Kevin Drew and Brendan Canning. Most of its members currently play in various other groups and solo projects, mainly based around the city of Toronto. The band refuses the label "supergroup", based on size or the ubiquity of their members, claiming that in the indie scene everyone is involved in more than one project.
The group's sound could be considered a combination of all of its members' respective musical projects, and is occasionally considered baroque pop. It is characterized by a very large number of sounds, grand orchestrations featuring guitars, horns, woodwinds, and violins, unusual song structures, and an experimental, and sometimes chaotic production style from David Newfeld, who produced the second and third albums.
In 2009, This Book Is Broken was published. Written by Stuart Berman, it details the band from its inception to its critical acclaim. In 2010, Bruce McDonald made This Movie Is Broken, a movie about the band's Harbourfront show during the 2009 Toronto strike.
Read more about Broken Social Scene: Touring Lineup History, Videography, Bibliography
Famous quotes containing the words broken, social and/or scene:
“The birds that came to it through the air
At broken windows flew out and in,
Their murmur more like the sigh we sigh
From too much dwelling on what has been.”
—Robert Frost (1874–1963)
“I was like a social worker for lepers. My clients had a chunk of their body they wanted to give away; for a price I was there to receive it. Crimes, sins, nightmares, hunks of hair: it was surprising how many of them has something to dispose of. The more I charged, the easier it was for them to breathe freely once more.”
—Tama Janowitz (b. 1957)
“I suppose that Paderewski can play superbly, if not quite at his best, while his thoughts wander to the other end of the world, or possibly busy themselves with a computation of the receipts as he gazes out across the auditorium. I know a great actor, a master technician, can let his thoughts play truant from the scene ...”
—Minnie Maddern Fiske (1865–1932)