Broken Social Scene is a Canadian indie rock band, a musical collective including as few as six and as many as nineteen members, formed in 1999 by Kevin Drew and Brendan Canning. Most of its members currently play in various other groups and solo projects, mainly based around the city of Toronto. The band refuses the label "supergroup", based on size or the ubiquity of their members, claiming that in the indie scene everyone is involved in more than one project.
The group's sound could be considered a combination of all of its members' respective musical projects, and is occasionally considered baroque pop. It is characterized by a very large number of sounds, grand orchestrations featuring guitars, horns, woodwinds, and violins, unusual song structures, and an experimental, and sometimes chaotic production style from David Newfeld, who produced the second and third albums.
In 2009, This Book Is Broken was published. Written by Stuart Berman, it details the band from its inception to its critical acclaim. In 2010, Bruce McDonald made This Movie Is Broken, a movie about the band's Harbourfront show during the 2009 Toronto strike.
Read more about Broken Social Scene: Touring Lineup History, Videography, Bibliography
Famous quotes containing the words broken, social and/or scene:
“Ah, broken is the golden bowl! the spirit flown forever!
Let the bell toll!—a saintly soul floats on the Stygian river;
And, Guy De Vere, hast thou no tear?—weep now or never more!
See! on yon drear and rigid bier low lies thy love, Lenore!”
—Edgar Allan Poe (1809–1849)
“Night City was like a deranged experiment in Social Darwinism, designed by a bored researcher who kept one thumb permanently on the fast-forward button. Stop hustling and you sank without a trace, but move a little too swiftly and you’d break the fragile surface tension of the black market; either way, you were gone ... though heart or lungs or kidneys might survive in the service of some stranger with New Yen for the clinic tanks.”
—William Gibson (b. 1948)
“The poem of the mind in the act of finding
What will suffice. It has not always had
To find: the scene was set; it repeated what
Was in the script.
Then the theatre was changed
To something else. Its past was a souvenir.”
—Wallace Stevens (1879–1955)