British Comedy - Radio

Radio

Radio comedy in Britain has been almost exclusively the preserve of the BBC, and a number of British radio comedies achieved considerable renown in the second half of the 20th century.

In the 1940s and 1950s, variety dominated the schedules, and popular series included ITMA and Much Binding in the Marsh. In the mid 1950s, however, two notable series emerged which would help to shape the future of radio and television comedy in Britain. The Goons (Peter Sellers, Spike Milligan and Harry Secombe) starred in their own anarchic series The Goon Show which ran throughout the 1950s. At the same time, the BBC was also running Hancock's Half Hour starring Tony Hancock, the first of a new generation of comedies based on believable characters and situations. Hancock's Half Hour later transferred to TV and was phenomenally successful throughout the 1950s, running concurrently on radio and television until 1960.

Another notable radio show was the double entendre-laden Round the Horne (1965–1968), a sequel to the earlier series Beyond Our Ken, which ran from 1959 to 1964.

Later radio shows made use of the panel game format, including the long-running Just a Minute (from 1967 to date) and I'm Sorry I Haven't a Clue (from 1972). This in turn has influenced TV series like Have I Got News for You (from 1990) and They Think It's All Over (from 1995). Almost all British comedies include at least 15 episodes per year, mini-series include around 6 to 7.

BBC Radio has continued to be a breeding ground for new talent and many programmes have transferred successfully to television in recent years, including Whose Line is it Anyway?, Goodness Gracious Me, Knowing Me, Knowing You and Little Britain.

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Famous quotes containing the word radio:

    England has the most sordid literary scene I’ve ever seen. They all meet in the same pub. This guy’s writing a foreword for this person. They all have to give radio programs, they have to do all this just in order to scrape by. They’re all scratching each other’s backs.
    William Burroughs (b. 1914)

    Now they can do the radio in so many languages that nobody any longer dreams of a single language, and there should not any longer be dreams of conquest because the globe is all one, anybody can hear everything and everybody can hear the same thing, so what is the use of conquering.
    Gertrude Stein (1874–1946)

    Denouement to denouement, he took a personal pride in the
    certain, certain way he lived his own, private life,
    but nevertheless, they shut off his gas; nevertheless,
    the bank foreclosed; nevertheless, the landlord called;
    nevertheless, the radio broke,

    And twelve o’clock arrived just once too often,
    Kenneth Fearing (1902–1961)