British Army Order Of Precedence
The regular army of the British Army is listed according to an order of precedence for the purposes of parading. This is the order in which the various corps of the army parade, from right to left, with the unit at the extreme right being highest. Under ordinary circumstances, the Household Cavalry parades at the extreme right of the line. However, when on parade with its guns, it is the Royal Horse Artillery (usually in the form of the King's Troop) that goes to the right. Militia and Territorial Army Units take precedence after Regular units with the exception of The Honourable Artillery Company and The Royal Monmouthshire Royal Engineers.
Read more about British Army Order Of Precedence: Usual Order of Precedence, Cavalry and Infantry Orders of Precedence, Precedence Within The Territorial Army
Famous quotes containing the words british, army, order and/or precedence:
“Give a scientist a problem and he will probably provide a solution; historians and sociologists, by contrast, can offer only opinions. Ask a dozen chemists the composition of an organic compound such as methane, and within a short time all twelve will have come up with the same solution of CH4. Ask, however, a dozen economists or sociologists to provide policies to reduce unemployment or the level of crime and twelve widely differing opinions are likely to be offered.”
—Derek Gjertsen, British scientist, author. Science and Philosophy: Past and Present, ch. 3, Penguin (1989)
“Why not draft executive and management brains to prepare and produce the equipment the $21-a-month draftee must use and forget this dollar-a-year tommyrot? Would we send an army into the field under a dollar-a-year General who had to be home Mondays, Wednesdays and Fridays?”
—Lyndon Baines Johnson (1908–1973)
“In order to master the unruly torrent of life the learned man meditates, the poet quivers, and the political hero erects the fortress of his will.”
—José Ortega Y Gasset (1883–1955)
“What is line? It is life. A line must live at each point along its course in such a way that the artist’s presence makes itself felt above that of the model.... With the writer, line takes precedence over form and content. It runs through the words he assembles. It strikes a continuous note unperceived by ear or eye. It is, in a way, the soul’s style, and if the line ceases to have a life of its own, if it only describes an arabesque, the soul is missing and the writing dies.”
—Jean Cocteau (1889–1963)