Production
In addition to "Bright Star" several other poems are recited in the film, including "La Belle Dame Sans Merci" and "Ode to a Nightingale". Both Campion and Whishaw completed extensive research in preparation for the film. Many of the lines in the script are taken directly from Keats' letters, which are as well known as his poems. Whishaw, as well, learned how to write with a quill and ink during filming. The letters that Fanny Brawne receives from Keats in the film were actually written by Whishaw in his own hand.
Janet Patterson, who has worked with Campion for over 20 years, rather uncommonly served as both costume designer and production designer for the film.
The Hyde House and Estate in Hyde, Bedfordshire, substituted for the Keats House in Hampstead. Campion decided that the Keats House (also known as Wentworth Place) was too small and "a little bit fusty". Some filming also took place at Elstree Studios.
Read more about this topic: Bright Star (film)
Famous quotes containing the word production:
“The production of obscurity in Paris compares to the production of motor cars in Detroit in the great period of American industry.”
—Ernest Gellner (b. 1925)
“The problem of culture is seldom grasped correctly. The goal of a culture is not the greatest possible happiness of a people, nor is it the unhindered development of all their talents; instead, culture shows itself in the correct proportion of these developments. Its aim points beyond earthly happiness: the production of great works is the aim of culture.”
—Friedrich Nietzsche (1844–1900)
“An art whose limits depend on a moving image, mass audience, and industrial production is bound to differ from an art whose limits depend on language, a limited audience, and individual creation. In short, the filmed novel, in spite of certain resemblances, will inevitably become a different artistic entity from the novel on which it is based.”
—George Bluestone, U.S. educator, critic. “The Limits of the Novel and the Limits of the Film,” Novels Into Film, Johns Hopkins Press (1957)