Bridget Bate Tichenor - Works of Art

Works of Art

Interest in Tichenor's paintings by art collectors and museums has been increasing in recent years, as well as collections of art photographs with Tichenor as the subject. Tichenor's paintings were first sold in 1954 by the Ines Amor Gallery in Mexico City, and then later by her patron, the late Mexican art dealer and collector Antonio de Souza at the Galeria Souza in the Paseo de la Reforma, Mexico City. In 1955, the Karning Gallery, directed by Robert Isaacson, represented her. In 1972 and 1974 she exhibited at the Galeria Pecanins, Colonia Roma, Mexico City. A comprehensive retrospective exhibition was held at the Instituto de Bellas Artes de San Miguel de Allende in February 1990, nine months before her death. She left 200 paintings that were divided between Pedro Friedeberg and the de Laborde-Noguez family. Her works became a part of important international private and museum collections in the United States, Mexico and Europe that included the Churchill and Rockefeller families. They were sought after for their refined esoteric nature with detail in master painting technique.

Two 1941 gelatin silver print portraits of Tichenor by avant-garde artist Man Ray were auctioned by Christie's London in 1996. Another 1941 gelatin silver print photograph of Tichenor by Man Ray was auctioned by Sotheby's New York in 1997. A silver gelatin print of fashion photographer Irving Penn's 1949 photograph of Tichenor and model Jean Patchett, titled The Tarot Reader, resides in the permanent collection of the Smithsonian American Art Museum. Two paintings by Tichenor were auctioned by Christie’s in July, 2007 at New York's Rockefeller Plaza, and both received almost 10 times the original estimates in the auction of Mexican actress María Félix's estate. Tichenor's oil on canvas titled Domadora de quimeras, featuring the face of María Félix with details by painter Antoine Tzapoff, went for $20,400 USD, which was several times higher than its original low estimate of $2000 USD. Another painting by Tichenor, Caja de crystal, also sold for much more than its estimated price.

In 2008, the Museo de Arte Contemporáneo de Monterrey held an exhibition of Tichenor’s work, including her paintings among 50 prominent Mexican artists such as Frida Kahlo. It was titled History of Women: Twentieth-Century Artists in Mexico. The exhibition centered on women who had developed their artistic activities within individual and diverse disciplines while working in Mexico.

Tichenor was featured in the 2012 exhibition In Wonderland: The Surrealist Adventures of Women Artists in Mexico and the United States, organized by LACMA and the Museo de Arte Moderno. Included were Tichenor's paintings Líderes, Autorretrato (Self-Portrait), and Los encarcelados, a tall work of four stacked wooden cages with painted masonite heads inside of each box and a pyramid on the top of the structure. The exhibition took place at the LACMA Resnick Pavilion in Los Angeles

The Museum of the City of Mexico's director, Cristina Faesler, has organized over 100 paintings for an exhibition dedicated to Tichenor in Mexico City beginning May 23, 2012 to August 5, 2012. The exhibition at the Museo de la Ciudad de México is a visual monograph of Tichenor's work, her surrealist vision and technique.

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    We all agree now—by ‘we’ I mean intelligent people under sixty—that a work of art is like a rose. A rose is not beautiful because it is like something else. Neither is a work of art. Roses and works of art are beautiful in themselves. Unluckily, the matter does not end there: a rose is the visible result of an infinitude of complicated goings on in the bosom of the earth and in the air above, and similarly a work of art is the product of strange activities in the human mind.
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