Contemporary Culture Wars
The street is the location for Monica Ali's book Brick Lane, published in 2003, and the film of 2007 starring Tannishtha Chatterjee. The novel provoked a controversy with some of the local Asian community because of a perceived negative portrayal of them. Parts of the Bengali community were particularly opposed to plans by Ruby Films to film parts of the novel in the Brick Lane area and formed the "Campaign Against Monica Ali's Film Brick Lane." Consequently the producers of the film used different locations for certain scenes, such as that depicting Brick Lane Market. Despite this, the director of the film, Sarah Gavron, attests on the DVD commentary of the film that genuine footage of Brick Lane does appear in the finished movie.
The campaign was allegedly supported by Germaine Greer, who wrote that: "As British people know little and care less about the Bangladeshi people in their midst, their first appearance as characters in an English novel had the force of a defining caricature ... ome of the Sylhetis of Brick Lane did not recognise themselves. Bengali Muslims smart under an Islamic prejudice that they are irreligious and disorderly, the impure among the pure, and here was a proto-Bengali writer with a Muslim name, portraying them as all of that and more." Greer's involvement has angered some within the British literary community. Salman Rushdie, who set parts of his novel The Satanic Verses in Brick Lane, has called it "philistine, sanctimonious, and disgraceful, but ... not unexpected."
Activists told The Guardian they intended to burn copies of Ali's book during a rally to be held on 30 July 2006, but the demonstration passed without incident.
Other notable books on the area are Salaam Brick Lane by Tarquin Hall, On Brick Lane (2007) by Rachel Lichtenstein and An Acre of Barren Ground by Jeremy Gavron.
Read more about this topic: Brick Lane
Famous quotes containing the words contemporary, culture and/or wars:
“The attraction of horror is a mental, or even an intellectual, excitement, but the fascination of the repulsive, so noticeable in contemporary writing, can spring openly from some rotted substance within our civilization ...”
—Ellen Glasgow (18731945)
“A culture may be conceived as a network of beliefs and purposes in which any string in the net pulls and is pulled by the others, thus perpetually changing the configuration of the whole. If the cultural element called morals takes on a new shape, we must ask what other strings have pulled it out of line. It cannot be one solitary string, nor even the strings nearby, for the network is three-dimensional at least.”
—Jacques Barzun (b. 1907)
“O how wretched
Is that poor man that hangs on princes favors!
There is betwixt that smile we would aspire to,
More pangs and fears than wars or women have;
And when he falls, he falls like Lucifer,
Never to hope again.”
—William Shakespeare (15641616)