Brian Tochi - Career

Career

Being of Japanese descent, Tochi frequently plays characters who are Japanese, Chinese, or of other East Asian genes, adopting the appropriate accent as needed. (His primary language is English, and his off-stage speech is "fluent American".) Early in his professional life, being one of the only East Asian faces in television, many credit him with breaking the barriers and opening doors for East Asian people in entertainment in the U.S., and advancing the perception that “Oriental” actors have the ability to portray more “mainstream” roles.

Tochi’s introduction into the entertainment industry came as a toddler. His father’s beauty salon, Tochi Coiffure of Beverly Hills, was a popular haunt for many famous clients, including Lana Turner, Hedy Lamarr, Lucille Ball, Judy Garland, Petula Clark and Patty Duke. One of his father’s customers, a top child agent, spotted the young Tochi running around the salon, and quickly signed to represent him.

A beginning role for Tochi was a guest-starring appearance in the short-lived television series He & She (1967–68, with real married couple Richard Benjamin and Paula Prentiss) as their newly adopted son. Produced by Leonard Stern and cowritten by Chris Hayward and Allan Burns, it also starred Jack Cassidy as an egomaniacal actor, Kenneth Mars and Hamilton Camp. That same year saw Tochi appearing in "And the Children Shall Lead", a classic third-season episode of Star Trek: The Original Series. Other roles followed, including guest appearances on such popular shows as The Brady Bunch, The Partridge Family and Adam-12.

Tochi’s debut as a T.V. series regular was as Yul Brynner’s oldest son and heir, Crown Prince Chulalongkorn, in Anna and the King on CBS, it was based on the film version of Rodgers and Hammerstein's The King and I and also starred Samantha Eggar and Keye Luke. Although the series was short lived, Tochi and Brynner remained friends until his death in 1985. Concurrent with the series, Tochi was cast with fellow actor Luke in his first animated television series The Amazing Chan and the Chan Clan, also in the series was a young Jodie Foster, who played his sister.

After both series ended, guest-starring roles followed, including The Streets of San Francisco with Karl Malden and Michael Douglas; and Kung Fu, with David Carradine, who made his directing debut on the episode, “The Demon God” (which was Tochi's largest guest role of three Kung Fu episodes he appeared in). Tochi also played an undercover informant, and was ultimately beaten and killed in a gritty two-part episode of Police Story on NBC; and nearly died on the Robert Young medical drama Marcus Welby, M.D. until the show's heroic James Brolin and new best friend Vincent Van Patten came to his rescue.

During the mid-1970s, Tochi spent time in the theatre, this time reprising his role as Crown Prince Chulalongkorn in the Los Angeles Civic Light Opera’s revival of the musical The King and I at the Dorothy Chandler Pavilion. There he co-starred with the renowned Latin Lover, Ricardo Montalbán, as the King of Siam, to which they would later accompany the show as it went on tour. When the show ended its run, the two remained dear to one another, with Tochi and Montalbán rendezvousing regularly for lunch during the run of Fantasy Island.

Tochi returned to star in another TV series Space Academy (1977-1979) with veteran actor Jonathan Harris (best remembered as Dr. Smith from Lost in Space). This Academy brought together the world’s best young minds, and those with special skills, to learn and prepare for the unknown, as Earth people continued to branch out into space. His character, Tee Gar Soom, had super-strength and continued the martial arts traditions of his Asian ancestors. During hiatus of the show, Tochi was asked to shoot a 20 minute promotional “behind-the-scenes” visit to the Space Academy for a popular daytime series, Razzmatazz, on CBS. Razzmatazz was a highly regarded news magazine show produced by Don Hewitt and the same production team as CBS's primetime news show, 60 Minutes. It starred Barry Bostwick, who opted to leave the show for a career in features, to capitalize on his recently released cult classic The Rocky Horror Picture Show. Searching for a new host, the television network persuaded Tochi to accept their offer of his own daytime show, which aired on the network for 4 more years into the early 1980s.

Other appearances include a guest stint on Wonder Woman, a recurring character in the tropically set Hawaii Five-O, starring actor Jack Lord, a 2 hour TV movie “We’re Fighting Back” (with Ellen Barkin and Stephen Lang), and regular television roles in the TV dramas St. Elsewhere and Santa Barbara. He later played featured characters in episodes of Star Trek: The Next Generation (making him one of only a handful of living actors to ever have appeared in the Original Star Trek series and a subsequent spin-off), and "Wong's Lost and Found Emporium," the ninth episode from the first season of the television series The New Twilight Zone. The episode is based on the short story "Wong's Lost and Found Emporium", by William F. Wu, first published in Amazing Stories. This episode was stretched into a half-hour run time for syndication, as recently shown on the Chiller TV network.

In the short lived ABC TV series The Renegades, he starred with his friend, Patrick Swayze, as the martial arts expert and former gang leader known as Dragon. Then, exercising his journalistic prowess, Tochi later became part of the core team that created and developed the cutting edge educational news program Channel One News. During his two-and-a-half-year association, his responsibilities grew to include Hosting and Narrating duties, utilizing his talents as a writer, producer and segment director. He was later named Chief Foreign correspondent for the show.

Read more about this topic:  Brian Tochi

Famous quotes containing the word career:

    They want to play at being mothers. So let them. Expressing tenderness in their own way will not prevent girls from enjoying a successful career in the future; indeed, the ability to nurture is as valuable a skill in the workplace as the ability to lead.
    Anne Roiphe (20th century)

    Clearly, society has a tremendous stake in insisting on a woman’s natural fitness for the career of mother: the alternatives are all too expensive.
    Ann Oakley (b. 1944)

    Whether lawyer, politician or executive, the American who knows what’s good for his career seeks an institutional rather than an individual identity. He becomes the man from NBC or IBM. The institutional imprint furnishes him with pension, meaning, proofs of existence. A man without a company name is a man without a country.
    Lewis H. Lapham (b. 1935)