Brian Johnson - AC/DC

AC/DC

Following Bon Scott's death, the remaining members of the band briefly considered quitting. They eventually concluded, however, that Scott would have wanted AC/DC to continue. Various candidates were considered for his replacement, including Buzz Shearman, ex-Moxy member, who was not able to join because of voice problems, and ex-Back Street Crawler vocalist Terry Slesser, before settling on Johnson.

AC/DC guitarist and co-founder Angus Young later recalled, "I remember the first time I had ever heard Brian's (Johnson) name was from Bon. Bon had mentioned that he had been in England once touring with a band and he had mentioned that Brian had been in a band called Geordie and Bon had said 'Brian Johnson, he was a great rock and roll singer in the style of Little Richard.' And that was Bon's big idol, Little Richard. I think when he saw Brian at that time, to Bon it was 'Well he's a guy that knows what rock and roll is all about.' He mentioned that to us in Australia. I suppose when we decided to continue, Brian was the first name that Malcolm and myself came up with, so we said we should see if we can find him."

In March 1980 Johnson received a phone call inviting him to London to audition as the new vocalist for AC/DC. As a big AC/DC fan, he was happy to oblige. Malcolm remembers the day: "We were all sitting there going, Where's this guy Brian? He should have been here an hour ago. 'Oh him? He's downstairs playing pool with the roadies' – so we thought, well, at least he plays pool." When someone fetched him to meet them, Malcolm recalls that Johnson, "had tears in his eyes. He was as sad about Bon as we were. Anyway, we said, Do you want to give it a go? And he said, 'I do Whole Lotta Rosie with Geordie,' and off he went. We went, fucking hell, this guy is cutting the mustard. Anything else you know? 'Nutbush City Limits?' OK, we can knock that out, and he sang that great too. It put a little smile on our faces – for the first time since Bon. So we just started working with him then." Within days, Johnson was in the band, the news being made official, amusingly enough, on 1 April. A week after that he was sent a plane ticket to the Bahamas (their management's idea, for tax purposes) where he joined the Youngs, bassist Cliff Williams, and drummer Phil Rudd and Highway to Hell producer Mutt Lange in Compass Point Studios.

The result was the album Back in Black, which was released in July that year. It was a worldwide success and went on to become the third best-selling album of all time. Their next album, 1981's For Those About to Rock We Salute You also sold well. The raw, self-produced albums Flick of the Switch and Fly on the Wall were not as commercially successful as the previous two albums with Johnson. Who Made Who, released in 1986, was the soundtrack for the horror film Maximum Overdrive and brought back AC/DC's mainstream popularity. In 1986, Johnson appeared in his home city of Newcastle-Upon-Tyne in the controversial music video for "You Shook Me All Night Long", and the video received significant airplay on MTV.

The 1988 album Blow Up Your Video was the last AC/DC album to feature lyrics from Johnson. Starting with 1990's The Razors Edge, guitarists Angus and Malcolm Young have written all of AC/DC's material. When asked by a fan during a radio interview why he stopped contributing lyrics, he laughed, "I ran out of words" and went on to explain that during recording he didn't always enjoy the pressure of having to come up with an album's worth of lyrics and was relieved when the Young brothers filled in during The Razors Edge. The band has since continued in that tradition for every album since. In 2008, they released their tenth album with Johnson, Black Ice.

A symbol of the working class in the North of England, Newcastle native Brian Johnson customarily wears a newsboy cap on stage and frequently off. Johnson has occasionally worn baseball caps as well. His brother suggested that the singer wear the cap onstage to prevent sweat rolling off his thick, curly hair into his eyes while singing. "He said, 'Put it on, at least you'll be able to see what the bloody freak you're doing!' So I put it on and after three songs in the second set, I looked at him, put my thumbs up – 'This is brilliant!' He never did get that hat back."

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