Brendon Urie - Career

Career

Urie met Brent Wilson while taking guitar classes offered at their high school and Wilson asked Urie to try out as lead guitarist for Panic! at the Disco, as they were looking for a replacement at the time. Originally, Ryan Ross was their lead singer. When Urie filled in for Ross during a band rehearsal, they were impressed with Urie's vocal abilities and he was chosen as their lead singer.

Since then, Panic! at the Disco has released 3 studio albums with Urie as lead vocalist. A Fever You Can't Sweat Out was released in 2005 and their sophomore record, Pretty. Odd. in 2008. On Pretty. Odd., Urie also took lyrical responsibility and wrote two of the tracks on the record by himself; those tracks being "I Have Friends in Holy Spaces" and festival favorite "Folkin' Around". He also wrote "New Perspective" for the soundtrack to the motion picture Jennifer's Body.

In February 1, 2011, another single was released: "The Ballad of Mona Lisa" which soon reached iTunes #1 spot in the Alternative Music Category. After the song's Music Video was released, it also reached the #1 spot, this time in Alternative Music Videos.

Read more about this topic:  Brendon Urie

Famous quotes containing the word career:

    “I’ve been in the twilight of my career longer than most people have had their career.”
    —Martina Navratilova (b. 1956)

    “It is a great many years since at the outset of my career I had to think seriously what life had to offer that was worth having. I came to the conclusion that the chief good for me was freedom to learn, think, and say what I pleased, when I pleased. I have acted on that conviction... and though strongly, and perhaps wisely, warned that I should probably come to grief, I am entirely satisfied with the results of the line of action I have adopted.”
    —Thomas Henry Huxley (1825–95)

    “I doubt that I would have taken so many leaps in my own writing or been as clear about my feminist and political commitments if I had not been anointed as early as I was. Some major form of recognition seems to have to mark a woman’s career for her to be able to go out on a limb without having her credentials questioned.”
    —Ruth Behar (b. 1956)