Breathy Voice - Methods of Production

Methods of Production

There are several ways to produce breathy-voiced sounds like . One is to hold the vocal cords apart, so that they are lax as they are for, but to increase the volume of airflow so that they vibrate loosely. A second is to bring the vocal cords closer together along their entire length than in voiceless, but not as close as in modally voiced sounds such as vowels. This results in an airflow intermediate between and vowels, and is the case with English intervocalic /h/. A third is to constrict the glottis, but separate the arytenoid cartilages that control one end. This results in the vocal cords being drawn together for voicing in the back, but separated to allow the passage of large volumes of air in the front. This is the situation with Hindi.

The distinction between the latter two of these realizations, vocal cords somewhat separated along their length (breathy voice) and vocal cords together with the arytenoids making an opening (whispery voice), is phonetically relevant in White Hmong.

Read more about this topic:  Breathy Voice

Famous quotes containing the words methods of, methods and/or production:

    I conceive that the leading characteristic of the nineteenth century has been the rapid growth of the scientific spirit, the consequent application of scientific methods of investigation to all the problems with which the human mind is occupied, and the correlative rejection of traditional beliefs which have proved their incompetence to bear such investigation.
    Thomas Henry Huxley (1825–95)

    Crime is terribly revealing. Try and vary your methods as you will, your tastes, your habits, your attitude of mind, and your soul is revealed by your actions.
    Agatha Christie (1891–1976)

    An art whose limits depend on a moving image, mass audience, and industrial production is bound to differ from an art whose limits depend on language, a limited audience, and individual creation. In short, the filmed novel, in spite of certain resemblances, will inevitably become a different artistic entity from the novel on which it is based.
    George Bluestone, U.S. educator, critic. “The Limits of the Novel and the Limits of the Film,” Novels Into Film, Johns Hopkins Press (1957)