In Popular Culture
- The film is frequently referenced in the Youth in Revolt book series, being a favorite of female protagonist Sheeni Saunders, including her dreams of running off to France and her fascination for Jean-Paul Belmondo.
- In The Doom Generation, characters play the "smile or I'll choke you" game and the film's semi-general theme of "nihilistic road movie".
- The Australian band The Death Set named their album from 2011 after main character Michel Poiccard.
- The final scene is mentioned (and later alluded visually) in The Squid and the Whale.
- In the third episode of Ghost in the Shell: Stand Alone Complex, "Android and I", a 35mm reel of this film can be seen on a table, beneath a reel of Alphaville, as Togusa and Batou are investigating the house of a suspect. Other Godard works are also scattered through the scene. Dialog from this film is recited by other two characters throughout the episode.Themes from this episode parallel themes from both this movie and Godard's complete oeuvre. The climax of the episode hinges on the final lines, including one additional line, from the final scene of the film
Read more about this topic: Breathless (1960 film)
Famous quotes containing the words popular culture, popular and/or culture:
“Popular culture entered my life as Shirley Temple, who was exactly my age and wrote a letter in the newspapers telling how her mother fixed spinach for her, with lots of butter.... I was impressed by Shirley Temple as a little girl my age who had power: she could write a piece for the newspapers and have it printed in her own handwriting.”
—Adrienne Rich (b. 1929)
“The man of large and conspicuous public service in civil life must be content without the Presidency. Still more, the availability of a popular man in a doubtful State will secure him the prize in a close contest against the first statesman of the country whose State is safe.”
—Rutherford Birchard Hayes (1822–1893)
“As the twentieth century ends, commerce and culture are coming closer together. The distinction between life and art has been eroded by fifty years of enhanced communications, ever-improving reproduction technologies and increasing wealth.”
—Stephen Bayley (b. 1951)