Breaker Morant (film) - Critical Response

Critical Response

Rotten Tomatoes gave Breaker Morant an average rating of 8.3/10 based on 18 reviews and also comments "Superbly executed in every area, the film is a memorable evocation of the hypocrisy of empire."

The film also acted to stir debate on the ongoing effect and legacy of the trial with its anti-war theme. In one analysis of the film, D. L. Kershen comments: "Breaker Morant tells the story of the Court-Martial of Harry Morant, Peter Handcock, and George Witton in South Africa in 1902. Yet, its overriding theme is war's evil. Breaker Morant is a beautiful anti-war statement—a plea for the end of the intrigues and crimes that war entails."

Another comments: "The clear issue of the film is accountability of soldiers in war for acts condoned by their superiors. Another issue, which I find particularly fascinating, concerns the fairness of the hearing. We would ask whether due process was present, after accounting for the exigencies of the battlefield. Does Breaker Morant demonstrate what happens when due process is not observed?"

Bruce Beresford claimed the film was often misunderstood as the story of men railroaded by the British:

But that's not what it's about at all. The film never pretended for a moment that they weren't guilty. It said they are guilty. But what was interesting about it was that it analysed why men in this situation would behave as they had never behaved before in their lives. It's the pressures that are put to bear on people in war time... Look at all the things that happen in these countries committed by people who appear to be quite normal. That was what I was interested in examining. I always get amazed when people say to me that this is a film about poor Australians who were framed by the Brits.

After the success of Breaker Morant, Bruce Beresford was offered dozens of Hollywood scripts including Tender Mercies, which he later directed. The 1983 film earned him his only Academy Award nomination for Best Director to date, even though 1989's Driving Miss Daisy, which he directed, won Best Picture. Beresford says the film was not that successfully commercially:

Critically, it was important, which is a key factor, and it has kept being shown over the years. Whenever I am in Los Angeles, it's always on TV. I get phone calls from people who say, 'I saw your movie, could you do something for us?' But, they're looking at a twenty year old movie. At the time it never had an audience. Nobody went anywhere in the world. It opened and closed in America in less than a week. And in London, I remember it had four days in the West end. Commercially, a disaster, but... It's a film that people talk about to me all the time.